Quotes about character
character reality sisterhood
Italy is such a delightful place to live in if you happen to be a man. There one may enjoy that exquisite luxury of Socialism--that true Socialism which is based not on equality of income or character, but on the equality of manners. In the democracy of the caffè or the street the great question of our life has been solved, and the brotherhood of man is a reality. But it is accomplished at the expense of the sisterhood of women. E. M. Forster
character society difficult
It is devilish difficult to criticise society & also create human beings. E. M. Forster
character literature may
We may divide characters into flat and round. E. M. Forster
character fighting artist
But I have seen my obstacles: trivialities, learning and poetry. This last needs explaining: the old artist's readiness to dissolve characters into a haze. Characters cannot come alive and fight and guide the world unless the novelist wants them to remain characters. E. M. Forster
character curves ideas
The test of a round character is whether it is capable of surprising in a convincing way. If it never surprises it is flat. Flat characters ... in their purest form ... are constructed round a single idea or quality; when there is more than one factor to them, we get the beginning of the curve toward the round. The really flat character can be experessed in one sentence such as, "I will never desert Mr Micawber." There is Mrs Micawber - she says she won't desert Mr Micawber; she doesn't, and there she is. E. M. Forster
character vanity changed
For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. E. M. Forster
character perfect patterns
Axiom : Novel must have either one living character or a perfect pattern: fails otherwise. E. M. Forster
character past play
First of all, I would shoot myself if I ever had to play straight-forward characters that really don't have much of a past. Maybe it's just that I'm not a good enough actor to have to embellish, but I like having these really, really rich roles to play. Drea De Matteo
character thinking awkward
I think the only reason I wanted to do modeling, really, was because I knew I wasn't ready to act; I knew I didn't have enough life experience, and I knew that doing photo shoots was a way of acting. Playing a character each shoot and being able to just emerge yourself in these awkward experiences - it was amazing. Dree Hemingway
character imperfection stronger
The low points I had all helped make up my character, so I probably wouldn't want to do away with them because I like being flawed and I like having them help me grow and change and become better and stronger. Drew Barrymore
character boys opposites
I don't mind a little Sturm und Drang. When I was doing 'Riding in Cars With Boys,' I wouldn't smile at anybody, because my character, Bev, was angry at the world. I'm the opposite. Inside my head I'd be like, God, I'll explain to you at the end of shooting that I'm not this person. Drew Barrymore
character
I never act my characters - I am them. Drew Barrymore
character creating roles
But as far as the concept of HAL, who HAL was, his character - I had no role in creating him. Douglas Trumbull
character home wife
I was making films about American society, and it is true that I never felt at home there, except perhaps when my wife and I lived on a farm in the San Fernando Valley. But I always wanted my characters to be more than cyphers for the failings of their world. And I never had to look too hard to find a part of myself in them Douglas Sirk
character innocence innocent
Your characters have to remain innocent of what your picture is after. Douglas Sirk
character flesh lasts
WE HAVE HAD OUR LAST CHANCE. THE PROBLEM NOW IS BASICALLY THEOLOGICAL, AND INVOLVES SPIRITUALITY AND IMPROVEMENT OF human CHARACTER. IT MUST BE OF THE SPIRIT IF WE ARE TO SAVE THE FLESH. Douglas MacArthur
character actors done
My own personal process with movies is to develop the characters with the actors and, when I've done that properly, you can't imagine anyone else, but that actor, playing that part. Doug Liman
character shopping actors
It's almost a work-shopping process to create the characters with the actors. Doug Liman
character men iron
It's hard to get a movie made about characters these days. We're in a climate where, unless it's based on a toy or it's a superhero where somewhere it ends in man - like Spider-Man, Superman or Iron Man - it's hard to get it made. Doug Liman
character stories might
In movies, you can basically buy the audience into the theater. If you spend enough money on visual effects, even if you are lacking in story and character, you might still pull it off. Doug Liman
character successful years
TV has no choice, but to rely on character, and everybody knows that. I love working in it. It's such a big canvas where, if you're successful, you go on for years. Doug Liman
character choices sides
For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven. Doug Liman
character pride casting
I pride myself on doing character-driven movies and, when my movies have worked, it's been because of the right casting and the right character, and it just clicks. Doug Liman
character thinking actresses
I think if you work as an actress and are supposed as a character to be in love with some actor, then to some extent you do have to be in love with him. Dorothy Stratten
character giving choices
I start with the story, almost in the old campfire sense, and the story leads to both the characters, which actors should best be cast in this story, and the language. The choice of words, more than anything else, creates the feeling that the story gives off. Donald E. Westlake
character choices conscious
Once he became a series character, I made the conscious choice that he would never act like a series character, never wink at the reader, never pull his punches. Better for him, better for me. Donald E. Westlake
character technology thinking
I do think that in the near future, if it hasn't happened already, people will be able to use technology to design their own novels, perhaps with individuals themselves as the main character. In other words, everything is being individualized and narrowed. Don DeLillo
character america people
America is the world's living myth. There's no sense of wrong when you kill an American or blame America for some local disaster. This is our function, to be character types, to embody recurring themes that people can use to comfort themselves, justify themselves and so on. We're here to accommodate. Whatever people need, we provide. A myth is a useful thing. Don DeLillo
character creative plot
Storytelling is ultimately a creative act of pattern recognition. Through characters, plot and setting, a writer creates places where previously invisible truths become visible. Or the storyteller posits a series of dots that the reader can connect. Douglas Coupland
character optimism people
I'm asking the American people to rise above the noise and the clutter of our broken politics, and embrace the great faith and optimism that has been the central ingredient in the American character. Donald Trump
character dark men
Character is what a man is in the dark. Dwight L. Moody
character jumping skins
In terms of jumping into a characters skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is whats required to achieve what I want to achieve. Dougray Scott
character opposites agriculture
It's a character I've created. Actually, that's pretty much the opposite of me, off a farm in the Midwest. Douglas Wilson