Quotes about character
character eye fire
The ear participates, and helps arrange marriages; the eye has already made love with what it sees. The eye knows pleasure, delights in the body's shape: the ear hears words that talk about all this. When hearing takes place, character areas change; but when you see, inner areas change. If all you know about fire is what you have heard see if the fire will agree to cook you! Certain energies come only when you burn. If you long for belief, sit down in the fire! When the ear receives subtly; it turns into an eye. But if words do not reach the ear in the chest, nothing happens. Rumi
character envy way
On the way there is no harder pass than this: fortunate is he who does not carry envy as a companion. Rumi
character envy defects
Indeed envy is a defect; worse than any other. Rumi
character expectations optimism
Confidence isn't optimism or pessimism, and it's not a character attribute. It's the expectation of a positive outcome. Rosabeth Moss Kanter
character knowing acting
Acting is not about knowing all this stuff; it's about character. Ron Silver
character goal world
One of my goals is to allow readers to see my characters and the world they inhabit as vividly as possible. Ron Rash
character focus trying
On the last drafts, I focus on the words themselves, including the rub of vowels and consonants, stressed and unstressed syllables. Yet even at this stage I'm often surprised. A different ending or a new character shows up and I'm back to where I began, letting the story happen, just trying to stay out of the way. Ron Rash
character writing thinking
I think that's what I love about writing, is the ability to try to, in a sense, take a vacation from yourself and try to enter the sensibility of another time, another character, another place. Ron Rash
character blood actors
I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor. Ron Perlman
character writing ideas
One of my standard - and fairly true - responses to the question as to how story ideas come to me is that story ideas only come to me for short stories. With longer fiction, it is a character (or characters) coming to visit, and I am then obliged to collaborate with him/her/it/them in creating the story. Roger Zelazny
character novel
It must always be considered as though spoken by a character in a novel Roland Barthes
character thinking hysteria
There wasn't space to mood-up. I think Rose Byrne was just extraordinary. Talk about a character that could be really unsympathetic at times. She just jumped in these scenes that go from anger to hysteria to crying to laughing and back to anger. I just marveled. Susan Sarandon
character anxiety important
Really, for me, it's important to know who's pitching and who's catching - just what that scene is supposed to accomplish in terms of storytelling. That being said, on the day, basically what you're trying to get yourself into an open place. And if the character is in a state of anxiety or vulnerability, you try to find some touchstone. Susan Sarandon
character entering jukebox
Sometimes when you have to go into something, unless you're gifted and can just turn it on and off like a jukebox, you find someplace where there's nothing going on to get yourself into whatever state your character is entering into. Susan Sarandon
character thinking use
Who on earth is going to use 'utilize' in a text message, a whopping seven characters including the always-hard-to-type 'z,' when you can say the exact same thing in three characters? I can't think of a sentence in which 'use' can't replace 'utilize.' Susan Orlean
character america personality
America had shifted from what influential cultural historian Warren Susman called a culture of character to a culture of personality, and opened up a Pandora's box of personal anxieties of which we would never recover. Susan Cain
character excellence looks
I look for the day...when the only criterion of excellence or position shall be the ability and character of the individual; and this time will come. Susan B. Anthony
character judging people
Prison makes you a better judge of character. You pick up on people much faster. Suge Knight
character people support
I learned that I had character defects, that I was allergic to alcohol and drugs, and that I had an obsession with all the bad stuff. But thank God that I woke and that I had good people around me to support me. There's not much more I can say about it. You have to want to be a better person. Sugar Ray Leonard
character play want
You don't want to play a character you can't inhabit or commit to fully. Stockard Channing
character writing trying
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character. Stewart O'Nan
character eye world
Getting inside your character's head and letting the reader see the world through not just their eyes but their sensibility creates an intimacy that can't be duplicated in any other medium. Stewart O'Nan
character golf games
The vast majority of golfers don't go on to play golf as a profession, but they do go onto other professions where there will heat on them from time to time. Some people choke under pressure. If you have that as part of your character - that you don't perform well under pressure - it's really important for you to know that. The game teaches you about that. Stewart Cink
character opportunity play
I was in love with this character of Ray Krebbs. I wanted the part badly. I had done several Western films in my career at that point and there wasn't much opportunity then to play Western roles on television at that time. Steve Kanaly
character voice trouble
Sympathetic characters usually have a voice. They usually don't have any trouble being heard. Steve Earle
character play challenges
I always find it easier to portray myself as being unlikeable and idiotic; to actually play a character that is likeable and engages the audience is far more difficult. It's a more subtle kind of challenge. Steve Coogan
character play laughing
If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way. Steve Coogan
character writing want
I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing. Stephen Sommers
character thinking years
Well, I think probably when I first got in the business, I wasn't thinking of being strictly a character actor. But I knew I wanted to be a working actor, and as the years have gone on, I just naturally evolved into that. Because, y'know, I'm not a leading guy. Never was. Stephen Root
character careers news
I would have to say News Radio is the highlight of my career. I love the character so much. Stephen Root
character thinking play
It's easier to play a dim character, for me, because I have a natural bent for comedy. It's not intrinsic for me to be crafty, so I would have to go outside for a source of origin. I think of myself as pretty dim. Stephen Root
character order play
In order for comedy to be funny you have to play the truth of the moment. But if you're not being completely truthful to the basis of the character, its not going to be funny. Stephen Root
character ideas singing
What justifies a character singing one idea for 3 minutes on the screen? I get impatient and want the story to carry on. I don't get impatient in the theatre. Stephen Sondheim