Quotes about character
character mind arcs
I definitely have character arcs in mind for each character unless I kill them. Robert Kirkman
character zombie world
To me, the best zombie movies aren’t the splatter fests of gore and violence with goofy characters and tongue in cheek antics. Good zombie movies show us how messed up we are, they make us question our station in society… and our society’s station in the world. They show us gore and violence and all that cool stuff too… but there’s always an undercurrent of social commentary and thoughtfulness. Robert Kirkman
character hard-times want
We are bringing in another threat, which is nature itself. I don't really want to get into specifics too much, but I will say that there is a third uncontrollable, almost undefeatable threat that is going to come in when the characters of the show are at their most vulnerable. It's really going to be something that they have a hard time dealing with. Robert Kirkman
character people looks
In every soap, at the end of the season, relationships end and people leave the show. You look at characters and evaluate whether they're great characters or not, and whether they have a future in the show. And we did all of that. Robert Greenblatt
character ideas people
First comes an idea. Then, characters begin to evolve out of the landscape of that idea. And then, finally, characters dominate: plot is simply a function of what these people might do or be. Everything has to flow from their personalities; otherwise it will not be emotionally engaging, or plausible. Robert Harris
character color work-ethic
For me, you don't ever want to be defined by the color of your skin. You want to be defined by your work ethic, the person that you are, your character, your personality. That's what I've tried to go out and do. Robert Griffin III
character fate men
I am an American, Chicago born – Chicago, that somber city – and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. But a man's character is his fate, says Heraclitus, and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles. Saul Bellow
character joy bears
To tell the truth I never had it so good. But I lacked the strength of character to bear such joy. Saul Bellow
character passion people
Human character is smaller now, people don't have durable passions; they've replaced passions with excitement. Saul Bellow
character fate men
But a man's character is his fate... and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles. Saul Bellow
character rewriting reason
The main reason for rewriting is not to achieve a smooth surface, but to discover the inner truth of your characters. Saul Bellow
character thinking giving
I really like directors who give you a certain amount of autonomy because I think a lot about my characters and I think a lot about scenes and choices. Sarah Gadon
character thinking journey
It sounds really corny but every film that you do is its own journey, it's its own experience, it's its own thing. Often you think it's going to be one way and then it goes another way - you think you can chart a character and then other things happen. That's the amazing thing about our jobs, it's constantly changing and it's extremely dynamic and you therefore have to be dynamic as well. Sarah Gadon
character imagination chiefs
[T]he judicious reader ought to know what the chief character in any work of the imagination will naturally perform, according to the situation he is thrown into, as well as doth the author himself. Sarah Fielding
character perfect long
I feel like Twitter was tailor-made for me, because I can do short spurts all day long. I loved my blog, but doing daily, then thrice weekly entries was really time consuming. 140 characters is perfect. Sarah Dessen
character needs weight
I'm always in this shape, that shape, whatever shape you like the most. I am always in various stages of shapes. If the woman needs to be more soft I'll gain weight and then I'll lose weight for another film that I did where I wanted her to be more wiry. I enjoy using my body as something that helps me get to a character. Sandra Bullock
character clinton
Actually, they [ Hilary Clinton or Donald Trump] are doing pretty well on their own. They don't need my character to step in. Sandra Bullock
character thinking blue
I much prefer playing the bad guys. I think they are always the most interesting characters. I liken it to painting: if you're playing the good guy, you get three colors: red, white and blue. But if you're the bad guy, you get the whole palette. Ronny Cox
character thinking body
If the character should be nude in the scene and it makes sense and I trust the person making the film then I don't see a problem with it. I certainly don't want to be involved in anything that is gratuitous, but I don't think the human body is something to be ashamed of. Every other person on the planet has the same parts as I do. Rooney Mara
character ipods black
Just because the character listens to an iPod and wears black nail polish, she's goth. That was just a misused word Rooney Mara
character names giving
No matter what name we give it or how we judge it, a candidate's character is central to political reporting because it is central to a citizen's decision in voting. Roger Mudd
character creating stage
Creating a character on or off the stage is an escape. Roger Moore
character special jason
This sucks on so many levels." Dialogue from "Jason X" Rare for a movie to so frankly describe itself. "Jason X" sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought. Roger Ebert
character laughing empathy
In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy. Roger Ebert
character stories elements
Why has Scandinavia been producing such good thrillers? Maybe because their filmmakers can't afford millions for CGI and must rely on cheaper elements like, you know, stories and characters. Roger Ebert
character comedy speak
It is hard enough to be good at all, but to be good in comedy speaks for your character. Roger Ebert
character hollywood film
The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost. Roger Ebert
character mean thinking
Improvisation is a weird word because we often think it means that you make things up out of whole cloth right there on the spot, and that's rarely the case in acting. You have to know who the character is, what the situation is and what is needed. Roger Ebert
character thinking feelings
I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling. Rod Steiger
character damage get-involved
Character is one of most precious parts of you. You can't get involved in things that will damage your character. Rod Paige
character unique pieces
Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique. Rod Serling
character car want
It's sad that women characters have lost so much ground in popular movies. Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it. Robin Quivers
character villain filmmaker
As a filmmaker, you're always supposed to be with your characters, in all movies, even if they're villains. Robert Zemeckis