Quotes about character
character grace crew
I like playing a character every day. I like having something to go back to. I always enjoyed that with 'Will & Grace.' I like the camaraderie. I like having a crew that I know and I can work with every day. Eric McCormack
character stripes fierce
The strongest streak in the American character is a fierce pragmatism that mistrust blind ideology of every stripe and insists on finding what really works. Eric Liu
character thinking opening-up
I don't think my work is so much about opening up wounds. I think it's about understanding the nature of the wound. I'm not bleeding on the canvas. I, like most people, have suffered traumatic events. The character of a person's life is determined by the way they deal with those events. I am a creative person and I deal with it creatively. Eric Fischl
character writing men
Writing is in fact an entirely outworn, decayed and corrupt convention whose chief & most conspicuous character is its monumental witness to the conservatism, laziness and irrationality of men and women. Eric Gill
character events deals
It is not the events in our life that define our character, but how we deal with them. Eric Heiden
character play film
There are a lot of films where I play characters that are about the windows to the interior person rather than the exterior. Emmanuelle Beart
character careers pretty-woman
For me, I don't feel it is a success in the career to be the pretty woman; career success comes from being characters who tell us something about the truth. Emmanuelle Beart
character thinking ideas
Its always great when a director is just supportive of what youre doing. Theyre not so much critiquing you but giving you more ideas, giving you tons of things to work with, making you question your character and making you think about it... and making it seem like everything is limitless. That usually helps a lot. Emma Roberts
character giving teeth
I have really crooked teeth - they give me character! Emma Roberts
character order play
You have to play the character in the best way you know how and do what you need to do in order to bring that character to life and not worry about the millions of people that you may be disappointing! Emma Stone
character heart thinking
As an actor, you have to just think about the truth of your character. You have to think about how to play the character in the way that you know it needs to be played in your heart and why you were hired. Emma Stone
character responsibility political
For me, the political part of being an actor is very tough. To sit somewhere and tell somebody why you should feel this way or that way about my character does not feel like my responsibility. It feels like the responsibility of the writer and the person who created it. Emma Stone
character thinking people
A lot of times I feel like people come up to me because they think I'm like my character in Easy A, or because they've seen me in interviews, but really what they're a fan of is a movie or a character. Emma Stone
character color government
The State, every government whatever its form, character or color - be it absolute or constitutional, monarchy or republic, Fascist, Nazi or bolshevik - is by its very nature conservative, static, intolerant of change and opposed to it. Emma Goldman
character ideas intellectual
To the indefinite, uncertain mind of the American radical the most contradictory ideas and methods are possible. The result is a sad chaos in the radical movement, a sort of intellectual hash, which has neither taste nor character. Emma Goldman
character animal space
John Burroughs has stated that experimental study of animals in captivity is absolutely useless. Their character, their habits, their appetites undergo a complete transformation when torn from their soil in field and forest. With human nature caged in a narrow space, whipped daily into submission, how can we speak of its potentialities? Emma Goldman
character eye games
For me, personally, I'm more comfortable with what I would call third-person entertainment, meaning watching a character that's explicitly not me and experiencing something through a character's eyes, than what I would call first-person entertainment, which is a video game in which I am the character. John Landgraf
character fargo film
There are no characters in the limited series Fargo that are derived from the characters in the film Fargo. It's hard to describe how remarkably true to the film the show is. John Landgraf
character essence acting
Good acting comes from finding the essence of a character. John Larroquette
character home people
You make a movie to entertain audiences. That's why you make a movie. The product sales is because people love the characters, and to me, that is a testament to how our movie has become so ingrained in family's homes all around the world and that's why I make movies. John Lasseter
character home weekend
I think that the entertainment industry and the entertainment press tends to focus on opening weekend box office as a measure of the success of a film and I think the true success is out there in people's homes and how much they absolutely love these characters. John Lasseter
character cartoon today
I just devoured all of his [Buster Keaton’s] films because his sense of comic timing was amazing. He’s the closest a human being has ever come to a cartoon character. And I was just amazed at his sense of character and timing, the humor. It's all just so…sophisticated, even when you watch it today. John Lasseter
character joy parks
I do what I do because of Walt Disney - his films and his theme park and his characters and his joy in entertaining. John Lasseter
character stories imagery
You cannot base a whole movie on just the imagery alone. It has to be the story and the characters. John Lasseter
character ideas inspire
There’s never a wrong idea. You just keep throwing stuff out and inevitably there are elements of different things that inspire a character or environment. John Lasseter
character memorable successful
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling. John Lasseter
character drawing slow-motion
Every animator is really an actor performing in slow motion, living the character a drawing at a time. John Lasseter
character vicious difficulty
There is some lack either of sense or of character in one who becomes involved in difficulties with the worthless or the vicious. John Lancaster Spalding
character female difficulty
I've always had difficulties with female characters. John le Carre
character ideas down-and
I find it very hard to sit down and create an idea or especially a new character on command. Usually my characters evolve by accident out of some story context. John Kricfalusi
character tvs liquor
George Liquor is really the richest character I have. I'm amazed there aren't 365 episodes about him on TV already. John Kricfalusi
character thinking play
I find with television, you have to play personality, whereas onstage, everyone talks about 'the character,' and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality. John Barrowman
character writing exercise
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off. John Banville