Quotes about character
character eye hard-work
According to Gandhi, the seven sins are wealth without works, pleasure without conscience, knowledge without character, commerce without morality, science without humanity, worship without sacrifice, and politics without principle. Well, Hubert Humphrey may have sinned in the eyes of God, as we all do, but according to those definitions of Gandhi's, it was Hubert Humphrey without sin. Jimmy Carter
character two doctors
Dr. Cox mentors the rookie doctors with a spoonful of dirt and then a cup of sugar. I see him as an archetypal descendent of two of my favorite curmudgeonly characters: Lou Grant and Louie De Palma. John C. McGinley
character mean giving
I did feel Dr. Cox, the character that I was auditioning for, was too similar to the head of the hospital. He was too arrogant and mean. I approached him kind of like I had a miniature Max sitting on my shoulder. I pictured Max saying, "This guy has got to give love every once in a while. He has to!" I knew there had to be tiny little windows of redemption. John C. McGinley
character people needs
A lot of people that make films say, 'We need this kind of character. Who's done it before? Get them to do it again.' That is exactly what actors are pushing against. It's kind of a cliche to talk about being stereotyped in that way, but it happens. John C. Reilly
character men should-have
Whatever the reasons that I turn things down, I'm always happy when there's a good result, and I can enjoy it as a movie, you know? I don't feel like, 'Oh man, that was really good. I should have done it.' You have to make the decisions you have to make, whether it has to do with your family or repeating a character or whatever it is. John C. Reilly
character luxury preparation
I always say it takes as much preparation and thought to do a small part as a leading part. In some ways, leads are easier because you have the luxury of time to discover the character. John C. Reilly
character giving listening
Improvisation, the main thing is it teaches you to be in the moment and present in the moment and be reactive and proactive for what's going on. Someone gives you something - a lot of actors are a little shut off, so they're just doing, "This is my character, these are my lines, I'm going to just send it to you then you send whatever you're sending." Improvisation teaches you to really be listening. John C. Reilly
character reality people
The less people know about me in reality, the more they can accept of me as a character. John C. Reilly
character trying committed
I'm much more character based. I try to just be really committed to what I'm doing. John C. Reilly
character interesting good-movie
The truth is that filmmaking is not really an actor's medium; it's really a director's medium, so all I can really control is the character that I'm playing. So I try to look for characters that are interesting and engaging and different than what I've done before and hopefully it becomes a good movie. John C. Reilly
character bags actors
This whole celebrity racket, it's not really my bag. I don't really do that stuff, and I am not looking to get famous myself. I would love it if my characters get famous, my work was well known and appreciated. But I'm an actor, not a spokes model or a celebrity or whatever that is. I don't know how to be that. John C. Reilly
character skills levels
I did a movie with Leonardo DiCaprio, and his skill level was eons ahead of mine. It was really more like an abattoir - he just slaughtered my character over and over again. John C. Reilly
character feelings action
When values, thoughts, feelings, and actions are in alignment, a person becomes focused and character is strengthened. John C. Maxwell
character speak display
You never display your character more clearly than when you speak about the character of others. John C. Maxwell
character talent outstanding
Good character is more to be praised than outstanding talent. John C. Maxwell
character choices levels
Talent is a gift, but our character is a choice. Talent is natural ability, our gift from God, but we have the power to determine our character. That power rests on a foundation consisting of the choices we make in life. And those choices almost always dictate the amount of trust others have in us, and to what level of leadership we rise. John C. Maxwell
character dark fifty
When you introduce a character and show him for the first time, don't show him fully lit. Don't show him one hundred percent to the audience. Show maybe fifty percent or sixty percent so the audience can fill in the dark spots. Peter Stormare
character america hook
If you do a character, always make the character with a big question mark. Even if the character is very enigmatic and all over the place, make him always with a question mark, because if you turn a question mark upside down, like they do in South America in Spanish, then it becomes a hook. Peter Stormare
character thinking people
Acting is about covering up traces of who you are and just being the character. I think it's easier to accept people in roles if you don't know a lot about them. Peter MacNicol
character smell land
I like to hear and smell the countryside, the land that my characters inhabit. I don’t want these characters to step off the page, I want them to step out of the landscape. Peter Matthiessen
character people hip-hop
Hip-hop is so much about character and caricature that people just see you as a character. Very rarely are you flesh and bone to people. Questlove
character mind matter
The mind is exercised by the variety and multiplicity of the subject matter, while the character is moulded by the contemplation of virtue and vice. Quintilian
character trying comeback
I'm trying to make all the characters change and grow, or regress. R. A. Salvatore
character past games
In the past, TSR and now Wizards of the Coast have asked me to do game stats for my characters, and I'm never comfortable doing that. It's all relative after all. R. A. Salvatore
character choices fantasy
Because in fantasy perhaps more than in any other genre, the character is rewarded for making the right choices and punished for making the bad. Ask Boromir. R. A. Salvatore
character blessing self
Is yours an honest lament? ... Most are not, you know. Most self-imposed burdens are founded on misperceptions. We - at least we of sincere character - always judge ourselves by stricter standards than we expect others to abide by. It is a curse, I suppose, or a blessing, depending on how one views it... Take it as a blessing, my friend, an inner calling that forces you to strive to unattainable heights. R. A. Salvatore
character power hands
Though intelligence is powerless to modify character, it is a dab hand at finding euphemisms for its weaknesses. Quentin Crisp
character thinking acting
I won't even think about acting in a role where I didn't do a back story for a character. Quentin Tarantino
character writing feet
The way I write is really like putting one foot in front of the other. I really let the characters do most of the work, they start talking and they just lead the way. Quentin Tarantino
character writing two
I really become the characters when I'm writing them. I'll become one or two of them more than others, I'm consistent that way. Quentin Tarantino
character writing journey
My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from. Quentin Tarantino
character good-luck thinking
Batman is not a very interesting character. For any actor. There is simply not much to play. I think Michael Keaton did it the best, and I wish good luck to Ben Affleck. But, you know who would have made a great Batman? Alec Baldwin in the '80s. Quentin Tarantino
character magic actors
If there is something magic about the collaborations I have with actors it's because I put the character first. Quentin Tarantino