Quotes about character
character two people
When it comes to films, people often don't differentiate between the message of a bad central character and the message of the film itself. They are two separate things. Christian Bale
character men law
We are starting off with our own different characters and our own laws and everything, looking at Bruce Wayne and how he came to be the person that he was and how he comes to be this man that jumps around in the Bat suit. Christian Bale
character thinking who-i-am
I don't think I'm like any of the characters I've played - they're all really far from who I am. Christian Bale
character preference
I don't have acknowledged preferences of characters. Christian Bale
character sleep mind
Personally, I love going to see a film when you can really watch a character. If you've just read some article about who the actor is sleeping with, that's gonna be at the back of your mind all the time while you're watching the film. Christian Bale
character mean thinking
I tend to stay in character between scenes... to be rather serious on set, but here's why, and I think people will find it surprising. I'm one of the worst 'corpses' on a movie set, which means you can't keep a straight face. You start to get the giggles and you can't stop. Christian Bale
character ideas magic
I like the idea of movies having a magic element. How many times have you seen an actor in a movie who you know only as the character? It's wonderful, isn't it? Christian Bale
character embarrassing embarrassment
But I learned that there's a certain character that can be built from embarrassing yourself endlessly. If you can sit happy with embarrassment, there's not much else that can really get to ya. Christian Bale
character differences people
My hope is that people will be repulsed by the character's complete lack of ethics and obsession with consumerism - that's what I was saying about the difference between the character's message and the film's message. Christian Bale
character two challenges
I'm surrounded by a lot of live-action movie professionals, and I'm just taking their lead, as far as what to schedule to do next. I'm guessing the challenge is going to be not having two characters together, and shooting the live-action without having the animation. In animation, you get to get in between every frame and you work it all out together. Chris Wedge
character people community
Read the script as a fan and try to create this community in your head. That's the thing that a lot of people tend to forget - it's not just about your character. Even if you're a lead, you're still supporting the supporting the entire story. Chris Zylka
character writing mentor
My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work. Chris Zylka
character dumped
Having been dumped so many times in my life, I thought I could sympathize with Bellas character. Chris Weitz
character home thinking
I think you've got to have a depth, a deeper depth to take stand-up into acting, but I think it really helps you as a stand-up to home into different characters and stuff easily. Chris Tucker
character giving feelings
I've been fortunate to work with good directors who understand improvisation and understand the way comedians work. Luke Basan let me do my thing like do what you feel and take the character to another level. Quentin Tarrantino was more of an acting coach. He can teach you beats and then hell say go with it but give this feeling. So I've been fortunate to work with good, seasoned directors. Chris Tucker
character eyebrows attention
There's a rhythm to the words combined with the pictures [in a comic]. Whenever I'm working on a comic strip I re-read it, probably hundreds of times through to pay attention to how all of those things work. Sometimes even changing the angle of a character's eyebrow can really, seriously alter the effect and overall interpretation of a scene. And the insertion of a pause or a cough or a sniff, and all these things that we do in conversation, can bring it to life in a strange way. Chris Ware
character people stories
In TV, you can really get into not only great characters, but also the relationships. There are all of the backstories and all of the relationships that you have with every person in your life, and the relationships those people have with each other. It's just more dense and there's more time to tell stories. Chris Pratt
character thinking squares
I love the stories that have come before, that we know of. I think for me it's always more interesting to start from square one and you take the fundamental pillars of the character and, around that, try to create something new and different. Chris Pine
character play one-day
I would love to play a British character one day. My accent wavers between Scottish and Irish very easily, though. Chris Lilley
character thinking way
I never like to think of any character as being over. I'm always thinking of different ways of bringing them back. Chris Lilley
character creating able
Being able to improvise is the basis for creating all characters and situations, for everything to do with performing, really. And it's good therapy as well Chris Kattan
character swiftness reputation
Character builds slowly, but it can be torn down with incredible swiftness. Faith Baldwin
character writing plot
Character is plot, plot is character. F. Scott Fitzgerald
characters margin narrow played rarely realistic realize realizing until ways
In any story, drama may be intensified by the characters realizing by how narrow a margin they had managed to succeed - that is, where coincidence played a role. This is one of the more realistic ways to use coincidence because rarely do we realize how important a coincidental event is until after the fact. Jane Lindskold
characters elizabeth historical larger life miss mostly romance susan time
I'm mostly a historical romance reader, but I never miss a Susan Elizabeth Phillips book. Her characters are larger than life and heartbreakingly real at the same time. I don't know how she does it. Julia Quinn
characters grow hours love plants seasons watch watching
I know that when I watch TV, I want to be transformed and transported, not just by the characters that I grow to love over the hours and seasons of watching but also the world that it plants me into. Jon Favreau
character mean men
By the study of their biographies, we receive each man as a guest into our minds, and we seem to understand their character as the result of a personal acquaintance, because we have obtained from their acts the best and most important means of forming an opinion about them. "What greater pleasure could'st thou gain than this?" What more valuable for the elevation of our own character? Plutarch
character men giving
Sometimes small incidents, rather than glorious exploits, give us the best evidence of character. So, as portrait painters are more exact in doing the face, where the character is revealed, than the rest of the body, I must be allowed to give my more particular attention to the marks of the souls of men. Plutarch
character writing battle
It is not histories I am writing, but lives; and in the most glorious deeds there is not always an indication of virtue or vice, indeed a small thing like a phrase or a jest often makes a greater revelation of a character than battles where thousands die. Plutarch
character giving flattery
It is no flattery to give a friend a due character; for commendation is as much the duty of a friend as reprehension. Plutarch
character men self
Blinded as they are to their true character by self-love, every man is his own first and chiefest flatterer, prepared, therefore, to welcome the flatterer from the outside, who only comes confirming the verdict of the flatterer within. Plutarch
character habit
Character is inured habit. Plutarch
character giving personality
It is circumstance and proper measure that give an action its character, and make it either good or bad. Plutarch