Quotes about character
character writing class
Where would David Copperfield be if Dickens had gone to writing classes? Probably about seventy minor characters short, is where. (Did you know that Dickens is estimated to have invented thirteen thousand characters? Thirteen thousand! The population of a small town!) Nick Hornby
character worry long
I don't worry about whether a character is likable, as long as the character is believable. Matt Dillon
character long people
I look for really great characters. I say great because as long as they're really good, there's something you can do. And really good storytelling. And when people ask me what the story is, I say it's really several stories really. They're intermeshed. Matt Dillon
character scott-fitzgerald world
I very comprehensively studied Irving Thalberg and his biographies. He's who [Scott]Fitzgerald roughly modeled the character after. He worked for him, as a writer, when he was at MGM. And, of course, I revisited the novel and the politics of MGM and the studio system at the time and familiarized myself with the world. There was a great deal of physical and literary work that went into it. Matt Bomer
character
What is ultimately motivating the character? Matt Bomer
character shadow flaws
I like characters with flaws, who have shadow. Matt Bomer
character unique looks
I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me. Matt Bomer
character years people
For me, a lot of these actors are new. For me, I only worked with Finn [Whittrock] and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together. Matt Bomer
character thinking play
I think when you play a role, you always have to be a defense attorney for that character. Matt Bomer
character opportunity play
I really saw Pat Brady, Kelsey Grammer's character's point of view that it's a business. It's show business. So, it was an incredible opportunity to work with really wonderful creatives and the script was fantastic. What was so interesting to me about the studio system was that a lot of the politics that were in play then are so really relevant to today. Matt Bomer
character interesting bigger
Generally, the bigger the budget, the less interesting the characters become. Matt Damon
character mean fighting
I usually play characters that are a lot different than me. I mean, I'm never in a fight in a movie and if I'm in them, I'm usually losing. Matt Damon
character people brain
The more I get to do this character, the more I realize that she's not just annoying. It's that her strength is not interacting with people socially. She just doesn't have time because she has so much going on in her brain. Mary Lynn Rajskub
character thinking interesting
Well, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that. Mary-Louise Parker
character thinking behaviour
I don't really ever think about whether or not I like the characters I'm playing. I'm more into the minutiae of their behaviour or what they're doing in a certain scene. Mary-Louise Parker
character views life-is
The strongest argument for the un-materialistic character of American life is that we tolerate conditions that are, from a materialistic point of view, intolerable. Mary McCarthy
character three stories
I once started a detective story to make moneybut I couldn't get the murder to take place! At the end of three chapters I was still describing the characters and the milieu, so I thought, this is not going to work. No corpse! Mary McCarthy
character giving personality
Others are to us like the characters in fiction, eternal and incorrigible; the surprises they give us turn out in the end to have been predictable and unexpected variations on the theme of being themselves. Mary McCarthy
character eye air
The American character looks always as if it had just had a rather bad haircut, which gives it, in our eyes at any rate, a greater humanity than the European, which even among its beggars has all too much a professional air. Mary McCarthy
character thinking poor
We are poor in character when we think getting by is a substitute for doing our best. Marvin J. Ashton
character gossip rumor
How damaging is a habit that permits faultfinding, character assassination, and the sharing of malicious rumors! Gossip and caustic comments often create chains of contention. Marvin J. Ashton
character firsts assuming
One must keep one's character. Earn a character first if you can, and if you can't, then assume one. Mark Twain
character church use
I do not use profanity in my novels. My characters all go to church. Nicholas Sparks
character men wonder
Is it possible, I wonder, for a man to truly change? Or do character and habit form the immovable boundaries of our lives? Nicholas Sparks
character literature rich
None of my characters are rich or famous, and the situations they find themselves in could happen to anyone. Nicholas Sparks
character thinking novel
I think, above all, the characters in my novels feel universal to the readers. Nicholas Sparks
character sadness passion
I want characters to have voices that feel authentic, unique, honest, fresh and original - all at once. Part of that authenticity is evoking genuine emotion across life - the sadness, passion, love, sense of loss, missed opportunities, and confusion even. All of this helps us realize that our choices do impact the lives that we eventually lead. Nicholas Sparks
character imagination want
That's a way to increase the realism to the reader, if you want to get technical - you leave it [character] vague and you let the reader fill in the blanks with their imagination. Nicholas Sparks
character thinking creating
I've done a number of films. I've been around this. I think the biggest challenge is just getting the script right, the way that you want the script to be. It's really about capturing the complexity of emotions and creating the kind of characters that people will want to watch every week. Nicholas Sparks
character unique voice
I've made the decision to adhere to three general truths when it comes to my novels: There will be a love-story element to the story, the novel will be set in eastern North Carolina, and the characters will be likeable. Then, I make each novel unique through differences in voice, perspective, age and personalities of the characters, and of course, plot. Nicholas Sparks
character people here-and-there
Most characters are composed of snippets here and there of people I've known, and all rolled into the character I've created. They do become like their own people. Nicholas Sparks
character responsibility television
There are very few ethnic LGBT characters on television, so I am honored to represent them. I love supporting this cause, but it’s a big responsibility, and sometimes it’s a lot of pressure on me. Naya Rivera
character example pudding
The authority of example and considerations of character, unlike pudding, are not whipped up in an instant. Neal A. Maxwell