Quotes about art
art children believe
In those days, Christmas still retained a certain aura of magic and mystery. The powdery light of winter, the hopeful expressions of people who lived among shadows and silence, lent that setting a slight air of promise in which at least children and those who had learned the art of forgetting could still believe. Carlos Ruiz Zafon
art hate
To truly hate is an art one learns with time. Carlos Ruiz Zafon
art blood literature
Literature, at least good literature, is science tempered with the blood of art. Like architecture or music. Carlos Ruiz Zafon
art war ambition
Every work of art is aggressive, Isabella. And every artist's life is a small war or a large one, beginning with oneself and one's limitations. To achieve anything you must first have ambition and then talent, knowledge, and finally the opportunity. Carlos Ruiz Zafon
art cities paris
Paris is the only city in the world where starving to death is still considered an art. Carlos Ruiz Zafon
art men generous-man
It is in fact agreed that I am the plague, the cholera of the benevolent and generous men who are interested in art and that, when I show myself with my plasters, even the Emperor of the Sahara would flee. Camille Claudel
art jobs careers
I would prefer to have a more appealing job. If I could still change careers, I would prefer it. This unfortunate art is made for long beards and ugly faces rather than for a relatively well-endowed woman. Camille Claudel
art thinking waste
I regard it as a waste of time to think only of selling: one forgets one's art and exaggerates one's value. Camille Pissarro
art lying mind
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind. Camille Pissarro
art soul wish
Painting, art in general, enchants me. It is my life. What else matters? When you put all your soul into a work, all that is noble in you, you cannot fail to find a kindred soul who understands you, and you do not need a host of such spirits. Is not that all an artist should wish for? Camille Pissarro
art orange sentimental
But as I see it, the most corrupt art is the sentimental the art of orange blossoms which make pale women swoon. Camille Pissarro
art character drawing
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character. Camille Pissarro
art honor criticism
The greatest honor that can be paid to the work of art, on its pedestal of ritual display, is to describe it with sensory completeness. We need a science of description. Criticism is ceremonial revivification. Camille Paglia
art mind doe
Visionary idealism is a male art form. The lesbian aesthete does not exist. But if there were one, she would have learned from the perverse male mind. Camille Paglia
art sex eye
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom. Camille Paglia
art giving soul
A society that forgets about art risks loslng its soul. Camille Paglia
art knowing humanity
There is no true expertise in the humanities without knowing all of the humanities. Art is a vast, ancient interconnected web-work, a fabricated tradition. Over-concentration on any one point is a distortion. Camille Paglia
art western-culture cinema
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct. Camille Paglia
art book eye
The best introduction by far to representation of the human figure in art. The Nude is a beautifully written work of sophisticated connoisseurship that analyzes art in its own terms rather than imposing strident, politicized categories on it. It outlines the major body types, male and female, in Western art and, via a wealth of illustrations, trains the reader's eye to detect and evaluate proportion. This book reveres art Camille Paglia
art philosophy men
All the genres of philosophy, science, high art, athletics and politics were invented by men. But by the Promethean law of conflict and capture, woman has a right to seize what she will and vie with man on her own terms. Camille Paglia
art eras materialism
In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education. Camille Paglia
art nature imagination
Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth. Camille Paglia
art boards stories
One of the main reasons I am so drawn to Hitchcock is that he planned his shots way in advance on story-boards, which he designed like classic paintings (he was an art connoisseur). It's why he found shooting on set boring - because he had already composed the film in his head. Camille Paglia
art ordinary art-is
Art is something out of the ordinary commenting on the ordinary. Camille Paglia
art school practice
Because most of my career in the classroom has been at art schools (beginning at Bennington in the 1970s), I am hyper-aware of the often grotesque disconnect between commentary on the arts and the actual practice or production of the arts. Camille Paglia
art hero avant-garde
It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned. Camille Paglia
art form capitalism
Capitalism is an art form. Camille Paglia
art america mind
Hollywood, America's greatest modern contribution to world culture, is a business, a religion, an art form, and a state of mind. Camille Paglia
art numbers ignorant
The number one problem in academia today is not ignorant students but ignorant professors, who have substituted narrow "expertise" and "theoretical sophistication" (a preposterous term) for breadth and depth of learning in the world history of art and thought. ... Art is a vast, ancient interconnected web-work, a fabricated tradition. Overconcentration on any one point is a distortion. This is one of the primary reasons for the dullness and ineptitude of so much twentieth-criticism, as compared to nineteenth-century belles-lettres. Camille Paglia
art firsts appearance
I cannot be convinced that great artists are moralists. Art is first appearances, then meaning. Camille Paglia
art greatness civilization
We will never get great art from women if their education exposes them only to the second-rate and if the idea of greatness itself is denied. Greatness is not a white male trick. Every important world civilization has defined its artistic tradition in elitist terms of distinction and excellence. Camille Paglia
art renaissance lasts
Last time I checked, there were no Americans at all in Renaissance art. Camille Paglia
art book people
Many, perhaps most, very learned people prefer the company of their books to sitting in a crowd listening to history and art being mangled; furthermore, it is unlikely that the venerable scholars will stand up afterward to declare, "This lecture was a load of crap." The more profound a professor's distaste with the proceedings, the more likely he is to melt away at the end of the talk. Camille Paglia