Quotes about art
art jesus new-york
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent. Jerry Saltz
art years two
If only we could persuade galleries to observe a fallow period in which, for two months every other year, new and old works of art could be sold in back rooms and all main galleries would be devoted to revisiting shows gone by. Jerry Saltz
art memories flower
Works of art often last forever, or nearly so. But exhibitions themselves, especially gallery exhibitions, are like flowers; they bloom and then they die, then exist only as memories, or pressed in magazines and books. Jerry Saltz
art writing people
Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic. Jerry Saltz
art cards credit
The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of them have become the best in the world. Jerry Saltz
art museums important
Of course art world ethics are important. But museums are no purer than any other institution or business. Academics aren't necessarily more high-minded than gallerists. Jerry Saltz
art wine museums
When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance. Jerry Saltz
art ugly boring
Art is good, bad, boring, ugly, useful to us or not. Jerry Saltz
art america news
Art usually only makes the news in America when the subject is money. Jerry Saltz
art ideas video
Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film. Jerry Saltz
art crazy rocks
All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art...Skill has nothing to do with technical proficiency... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks. Jerry Saltz
art museums years
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art. Jerry Saltz
art museums design
Maybe the museum [of Arts and Design ]needs to follow the advice of its acronym and not be afraid to go a little M.A.D. Jerry Saltz
art two three
The alchemy of good curating amounts to this: Sometimes, placing one work of art near another makes one plus one equal three. Two artworks arranged alchemically leave each intact, transform both, and create a third thing. Jerry Saltz
art new-york cities
The greatest work of art about New York? The question seems nebulous. The city's magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand. Jerry Saltz
art museums jewels
To me, the building [of Museum of Arts and Design]now looks like a lovely jewel box, and the tiled façade reminds me of a heat shield. Jerry Saltz
art opportunity art-is
Art is changing. Again. Here. Now. Opportunities to witness this are rare, so attend and observe. Jerry Saltz
artist creating knowing
Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm. Jerry Saltz
art humble museums
The debut show, "Second Lives: Remixing the Ordinary," is supposed to be about how artists reuse humble or unusual materials. There's good work here, but much of what's on view is actually more about obsession and repetition: a couch made out of 3,500 quarters, a necklace composed of 100 handgun triggers. The building [of Museum of Arts and Design], too, seems caught between wanting to be an object of decorative delectation and making an architectural statement. Jerry Saltz
art squares museums
Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art. Jerry Saltz
art stopping way
I am all for art's finding a large audience. But the way that's happening now, with big works filling big galleries and bigger shows, is mostly stopping statements from being made. Or heard. Or talked about. Or really examined. It's watering things down. Jerry Saltz
art world way
Art is a way of showing the outside world what your inside world is like. Jerry Saltz
art camouflage narrative
In art, scandal is a false narrative, a smoke screen that camouflages rather than reveals. When we don't know what we're seeing, we overreact. Jerry Saltz
artist years style
Billions of photos are shot every year, and about the toughest thing a photographer can do is invent an original, deeply personal, instantly recognizable visual style. In the early nineties, Wolfgang Tillmans did just that, transforming himself into a new kind of artist-photographer of modern life. Jerry Saltz
art museums names
The place has had a super-conflicted relationship to its mission. In 1956, it opened as the Museum of Contemporary Crafts. Then in 1986 it had a midlife crisis and changed its name to the American Craft Museum. Then in 2002 the name changed again, this time to the Museum of Arts and Design. Maybe in 2025 the place will be called the Designatorium. The big problem with a museum of craft and design is that all art has craft and design. Jerry Saltz
art psychics venture
To engage with art, we have to be willing to be wrong, venture outside our psychic comfort zones, suspend disbelief, and remember that art explores and alters consciousness simultaneously. Jerry Saltz
art essentials economy
Economy is essential to all good art. Jerry Seinfeld
art book dancing
Dance is low on the totem pole of the arts, because you're not left with a painting... a book that will stay there, a score you can read. Jerome Robbins
art lessons financial
When there were financial difficulties they still managed to provide us with music and art lessons. Jerome Isaac Friedman
art children school
As I very much liked to draw and paint as a child, I entered a special art program in high school, which was very much like being in an art school imbedded in a regular high school curriculum. Jerome Isaac Friedman
art practice may
Habitual texters may not only cheat their existing relationships, they can also limit their ability to form future ones since they don't get to practice the art of interpreting nonverbal visual cues. Jeffrey Kluger
art order important
One of the reasons that art is important to me is sometimes it actually feels more coherent than life. It orders the chaos. Jeffrey Eugenides
art book home
When I first learned about Abrams and saw the types of books they were making, I knew I wanted my books to be published by them. Abrams books are special-when you hold one in your hands, you have the feeling that this book needed to be made. I once heard an artist say that books are fetish objects-I think Abrams gets that, because their books demand to be treasured. So who better to give comics art its proper due? I feel privileged to have found a home with Abrams. Jeff Kinney