Quotes about art
art enemy democracy
Art is not a democracy, in fact art is the enemy of democracy Gore Vidal
art advertising selling
In a nation that has developed to a high art advertising, the creator who refuses to advertise himself is immediately suspected of having no product worth selling. Gore Vidal
art politics triumph
Ronald Reagan: a triumph of the embalmer's art. Gore Vidal
art writing literary-theory
Writers who teach tend to prefer literary theory to literature and tenure to all else. Writers who do not teach prefer the contemplation of Careers to art of any kind. Gore Vidal
art lying truman
Truman Capote has made lying an art. A minor art. Gore Vidal
art jobs diners
I don't want anything. I don't want a job. I don't want to be respectable. I don't want prizes. I turned down the National Institute of Arts and Letters when I was elected to it in 1976 on the grounds that I already belonged to the Diners Club. Gore Vidal
art real writing
Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art. Gore Vidal
art love-is creation
The creation of a work of art, like an act of love, is our one small 'yes' at the center of a vast 'no.' Gore Vidal
art war lying
There's no such thing as a war against terrorism. It's idiotic. These are slogans. These are lies. It's advertising, which is the only art form we ever invented and developed. Gore Vidal
artist track persons
Every person has parallel tracks. You have your personal life or your life as an artist, or whatever it is you do. Gina Bellman
art fighting thinking
I've had cameras on me since I started the art of fighting and I think that I'm used to having cameras on me in adrenaline-type situations. Gina Carano
art writing numbers
But the nature of our civilized minds is so detached from the senses, even in the vulgar, by abstractions corresponding to all theabstract terms our languages abound in, and so refined by the art of writing, and as it were spiritualized by the use of numbers, because even the vulgar know how to count and reckon, that it is naturally beyond our power to form the vast image of this mistress called "Sympathetic Nature. Giambattista Vico
art real chapel
Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they're doing it for the love of art, I say: Get real. Gianni Versace
art quality literature
I don't how I can describe the quality that is only found in art (be it music, literature, painting, or whatever), this quality, it's just there, and it endures. Gerhard Richter
art transcendental mediums
Art is the ideal medium for making contact with the transcendental, or at least for getting close to it. Gerhard Richter
art real taken
Yes, we were amazed when that happened. It was a real joke to us. Konrad Lueg and I did a Happening, and we used the phrase just for the Happening, to have a catchy name for it; and then it immediately got taken up and brought into use. There's no defence against that - and really it's no bad thing. Gerhard Richter
art fun thinking
That was a piece I did in 1963 with Konrad Lueg in a department store, in the furniture department. It was announced in some papers as an exhibition opening, but the people who came didn't know that it was to be a sort of Happening. I don't think it is quite right that it has become so famous anyhow. It was just a lot of fun, and the word itself, Capitalist Realism, hit just right. But it wasn't such a big deal. Gerhard Richter
art furniture form
I originally came from Dresden, where Socialist Realism prevailed. Konrad Lueg and I came up with it, for the most part ironically, since I now live in capitalism. It was certainly 'realism', but in another form - the capitalist form, as it were. It wasn't meant that seriously. It was more a slogan for that particular Happening at a furniture store. Gerhard Richter
art war feelings
I see the bomber pictures as an anti-war statement... which they aren't - at all. Pictures like that don't do anything to combat war. They only show one tiny aspect of the subject of war - maybe only my own childish feelings of fear and fascination with war and with weapons of that kind. Gerhard Richter
art important atlas
In the beginning I tried to accommodate everything there that was somewhere between art and garbage and that somehow seemed important to me and a pity to throw away. After a while, some sheets in the Atlas acquired another value, after all - that is, it seemed to me that they could stand on their own terms, not only under the protection of the Atlas. Gerhard Richter
art believe might
I believe that he knew more what he was doing. I might be absolutely wrong about this, but that was my impression. Gerhard Richter
art thinking expression
The grey is certainly inspired by the photo-paintings, and, of course, it's related to the fact that I think grey is an important colour - the ideal colour for indifference, fence-sitting, keeping quiet, despair. In other words, for states of being and situations that affect one, and for which one would like to find a visual expression. Gerhard Richter
art real want
Only about one per cent of my paintings show family members. Do they help me deal with problems? It's likely that these problems can only be depicted. But photographs, private ones and others, keep appearing that fascinate me so much that I want to paint them. And sometimes the real meaning these images have for me only becomes apparent later. Gerhard Richter
art illustration ideas
I first came up with the idea for the colour-chart pictures back in 1966, and my preoccupation with the topic culminated in 1974 with a painting that consisted of 4,096 colour fields. Initially I was attracted by the typical Pop Art aestheticism of using standard colour-sample cards; I preferred the unartistic, tasteful and secular illustration of the different tones to the paintings of Albers, Bill, Calderara, Lohse, etc. Gerhard Richter
art blue yellow
Turning to the colour-classification methodology: The starting point are the four pure colours red, yellow, green and blue; their in-between shades and scales of brightness result in colour schemes containing 16, 64, 256 and 1,024 shades. More colours would be pointless because it wouldn't be possible to distinguish between them clearly. Gerhard Richter
art motivation thinking
Architecture was, or is, a kind of hobby, an inclination I have to fiddling around and building things. Putting up shelves or cupboards, or making tools, or designing houses ... it always has a functional or social motivation. If social changes are in the air, I am gripped immediately by the desire to build, and I think that I accelerate or anticipate changes in my life by doing so, at least in draft. In the case of my house, that was anticipation: in other words, first build, then change one's life. Gerhard Richter
art here-and-there painting
They are specific places I have discovered here and there when I am on the road to take photos. I go especially to take photos. Gerhard Richter
art mean long
I'm never really sure what that word means, but however inaccurately I use it, 'classical' was always my ideal, as long as I can remember, and something of that has always stayed with me, to this day. Of course, there were difficulties, because in comparison to my ideal, I didn't even come close. Gerhard Richter
art believe reality
I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false. Gerhard Richter
art layers different
The paint for the grey paintings was mixed beforehand and then applied with different implements - sometimes a roller, sometimes a brush. It was only after painting them that I sometimes felt that the grey was not yet satisfactory and that another layer of paint was needed. Gerhard Richter
art war looks
When I look back on the townscapes now, they do seem to me to recall certain images of the destruction of Dresden during the war. Gerhard Richter
art mind landscape
But it is also untrue that I have nothing specific in mind. As with my landscapes: I see countless landscapes, photograph barely 1 in 100,000, and paint barely 1 in 100 of those that I photograph. I am therefore seeking something quite specific; from this I conclude that I know what I want. Gerhard Richter
art mistake order
Above all, it's never blind chance: it's a chance that is always planned, but also always surprising. And I need it in order to carry on, in order to eradicate my mistakes, to destroy what I've worked out wrong, to introduce something different and disruptive. I'm often astonished to find how much better chance is than I am. Gerhard Richter