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photography art thinking
I'm afraid we get a great deal of our exposure to art through magazines and through slides and I think this is dreadful, this is anti-art because art is direct experience with something in the world and photography is just a rumor, a kind of pornography of art. Carl Andre
photography stress conscious
However, I must stress that my own interest is immediate and in the picture. What I am conscious of and what I feel is the picture I am making, the relation of that picture to others I have made and, more generally, its relation to others I have experienced. Aaron Siskind
photography self order
When I make a photograph I want it to be an altogether new object, complete and self-contained, whose basic condition is order (unlike the world of events and actions whose permanent condition is change and disorder). Aaron Siskind
photography taken talking
Producing a photographic document involves preparation in excess. There is first the examination of the idea of the project. Then the visits to the scene, the casual conversations, and more formal interviews - talking, and listening, and looking, looking. ... And finally, the pictures themselves, each one planned, talked, taken and examined in terms of the whole. Aaron Siskind
photography simple together
The business of making a photograph may be said in simple terms to consist of three elements: the objective world (whose permanent condition is change and disorder), the sheet of paper on which the picture will be realized, and the experience which brings them together. Aaron Siskind
photography touching feelings
Photography is a way of feeling, of touching, of loving. Aaron Siskind
photography memories character
What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction. Aaron Siskind
photography taken discovery
I was given a small camera as a wedding gift from a very dear friend. My first pictures were taken on my honeymoon. As soon as I became familiar with the camera, I was intrigued with the possibilities of expression it offered. It was like a discovery for me. Aaron Siskind
photography my-own
The only nature I'm interested in is my own nature. Aaron Siskind
roles stories film
There are so many films now where you know the story is a supporting role to the visual effects. Ricky Gervais
roles ambiguity adviser
I had to learn to get comfortable in a role of ambiguity where I had to seek out advisers and learn quickly. Brian Chesky
roles
I choose my roles carefully. Catherine Deneuve
roles
I take away something from every role. Cary Elwes
roles life-is stills
I take away something from every role. I'm still learning and that's what life is about. Cary Elwes
roles money-in-politics wells
Well, the role of money in politics is pretty corrupting right now. Caroline Kennedy
roles way complaining
I can't complain about the roles that have come my way. Jason Clarke
roles
I choose roles that are not me. January Jones
roles guru shows
The role of the Guru is to show the person that he already has what he is looking for. Alan Watts
intimidation intimidating fine
They're intimidating the networks and levying these fines, so the networks are not sure of what they can or can't do. Barry Levinson
intimidation submissive slave
In slave times the Negro was kept subservient and submissive by the frequency and severity of the scourging, but, with freedom, a new system of intimidation came into vogue; the Negro was not only whipped and scourged; he was killed. Ida B. Wells
intimidation percent
Intimidation is 99 percent in the intimidatee's head. Peter Jacobson
intimidation intimidating mass
I have never intimidated the masses... I only intimidate corrupt officials. Zhu Rongji