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photography art thinking
I'm afraid we get a great deal of our exposure to art through magazines and through slides and I think this is dreadful, this is anti-art because art is direct experience with something in the world and photography is just a rumor, a kind of pornography of art. Carl Andre
photography stress conscious
However, I must stress that my own interest is immediate and in the picture. What I am conscious of and what I feel is the picture I am making, the relation of that picture to others I have made and, more generally, its relation to others I have experienced. Aaron Siskind
photography self order
When I make a photograph I want it to be an altogether new object, complete and self-contained, whose basic condition is order (unlike the world of events and actions whose permanent condition is change and disorder). Aaron Siskind
photography taken talking
Producing a photographic document involves preparation in excess. There is first the examination of the idea of the project. Then the visits to the scene, the casual conversations, and more formal interviews - talking, and listening, and looking, looking. ... And finally, the pictures themselves, each one planned, talked, taken and examined in terms of the whole. Aaron Siskind
photography simple together
The business of making a photograph may be said in simple terms to consist of three elements: the objective world (whose permanent condition is change and disorder), the sheet of paper on which the picture will be realized, and the experience which brings them together. Aaron Siskind
photography touching feelings
Photography is a way of feeling, of touching, of loving. Aaron Siskind
photography memories character
What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction. Aaron Siskind
photography taken discovery
I was given a small camera as a wedding gift from a very dear friend. My first pictures were taken on my honeymoon. As soon as I became familiar with the camera, I was intrigued with the possibilities of expression it offered. It was like a discovery for me. Aaron Siskind
photography my-own
The only nature I'm interested in is my own nature. Aaron Siskind
memories childhood fiction
A childhood is what anyone wants to remember of it. It leaves behind no fossils, except perhaps in fiction. Carol Shields
memories desire satisfied
Memory is satisfied desire. Carlos Fuentes
memories minorities five-senses
Five senses; an incurably abstract intellect; a haphazardly selective memory; a set of preconceptions and assumptions so numerous that I can never examine more than a minority of them - never become even conscious of them all. C. S. Lewis
memories pleasure remembered
A pleasure is full grown only when it is remembered. You are speaking, Hmán, as if pleasure were one thing and the memory another. It is all one thing. C. S. Lewis
memories mind nostalgic
I'm not nostalgic. My memories are back here in my mind. Agnes Varda
memories everyday special
Nostalgia doesn't make sense, because it's like bringing the memories back to be a special part of my day or to be part of my week. And I'm inside my memories the same way I'm inside my everyday life. Agnes Varda
memories exceptional ifs
I've just got an exceptional memory, if I say so myself. Alan Sugar
memories add
Say whatever your memory suggests is true; but add nothing and exaggerate nothing. Charlotte Bronte
memories years age
Memory in youth is active and easily impressible; in old age it is comparatively callous to new impressions, but still retains vividly those of earlier years. Charlotte Bronte
character
You don't build your character by doing what everybody else is doing. Carlos Ghosn
character long shapes
At 50 I find there is a long line of characters and shapes demanding words just outside my window. Carlos Fuentes
character civilization games
The contract between the author and the reader is a game. And the game . . . is one of the greatest invetions of Western civilization: the game of telling stories, inventing characters, and creating the imaginary paradise of the individual, from whence no one can be expelled because, in a novel, no one owns the truth and everyone has the right to be heard and understood. Carlos Fuentes
character warrior men
Malicious acts are performed by people for personal gain … Sorcerers, though, have an ulterior purpose for their acts, which has nothing to do with personal gain. The fact that they enjoy their acts does not count as gain. Rather, it is a condition of their character. The average man acts only if there is a chance for profit. Warriors say they act not for profit but for the spirit. Carlos Castaneda
character differences faces
There was no difference between my characters and the life my readers were going to have to face. Carl Barks
character clinton
Religion is one of the fundaments of Hillary Clinton's character and politics. Carl Bernstein
character simple profound
A great part of its [higher arithmetic] theories derives an additional charm from the peculiarity that important propositions, with the impress of simplicity on them, are often easily discovered by induction, and yet are of so profound a character that we cannot find the demonstrations till after many vain attempts; and even then, when we do succeed, it is often by some tedious and artificial process, while the simple methods may long remain concealed. Carl Friedrich Gauss
character eye vegetables
Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables. C. S. Lewis
character play plot
But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it. C. S. Lewis