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artist missionary-zeal mass
We had a missionary zeal about blues music, and I felt, particularly, that Mickie Most was attempting to homogenize, sweeten, and make it accessible for the mass market. Which is understandable if you're the producer, but aggravating if you're the artist. Alan Price
artist would-be wanted
If the audience knew what they wanted then they wouldn't be the audience, they would be the artist. Alan Moore
artist found difficult
But I found that being an artist and doing accurate work is very difficult. Alan Bean
artist use actors
As an artist, as an actor, as a writer, you have to use what's personal to you. You have to be personal about your work; otherwise, it doesn't ring true. Alan Alda
artist thinking legends
Whatever obstacle comes your way, you gotta be prepared to jump over it! And I think that's what separates the legends from the regular artists. It's all in how you manage that success, and how you deal with the controversy when it actually comes. Akon
artist looks roles
The role of the artist is to not look away. Akira Kurosawa
artist looks credit
I never liked the whole thing about pictures with the artists. You look back at an Elvis Presley record, and you don't see any producer credits, because the audience is not supposed to know about the producer credit. Chris Blackwell
artist makeup talking
If I'm talking to a photographer, I'm talking to a stylist, I'm talking to a makeup artist, we're kind of creating and collaborating and making something that is artwork and is special and is different. Chloe Grace Moretz
artist world power-to-change
The artist has tremendous power to change the world. Chogyam Trungpa
cartoonist depression great mind settle support work
When I was an adolescent, Tahiti was a paradise. I made up my mind to settle there someday. I was going to be a seaman like Melville, but the Great Depression put me to work as a cartoonist to support the family. William Steig
cartoonist stills
In 1908, you could easily earn $20 to $200 as a cartoonist. What's amazing is that it's still true! Art Spiegelman
cartoonist draw editorial good inspired next paper
As an editorial cartoonist now, I live for those moments of inspiration, and it is exhilarating to be inspired by a topic, have an opinion on the topic, come up with a good cartoon on the topic, and to draw it and get it in the paper the next day. That is what I live for. Steve Breen
cartoonist pictures wanting writer
My transition from wanting to be a cartoonist to wanting to be a writer may have come about through that friendly opposition, that even-handed pairing, of pictures and words. John Updike
cartoonist horrible stuff
I general don't color my stuff - I'm pretty horrible with color. Usually, I'll get one of my cartoonist friends to help me out. Gene Luen Yang
cartoonist tend
I tend to write my beginnings and endings first - as a cartoonist and storyteller, I couldn't sit down every day if I didn't know where the story was headed. Jeff Lemire
cartoonist change decided since stories
When I first seriously decided to become a cartoonist would have been '99/2000, right before 9/11. I've been writing and illustrating stories in the world post-9/11 since then, watching the world change around me. Jeff Lemire
cartoonist character cinema clear hold incredible lost lucky money onto production reasons totally walt
He told me this incredible story that Walt's first really big production as a cartoonist for the cinema had been a character called Oswald the Lucky Rabbit, which was before Mickey. And for reasons that aren't still totally clear to me, Walt lost those rights. He didn't have the money to hold onto them. Dick Ebersol
cartoonist holes poke ways
I see the cartoonist as contributing to the content, being critical, because we do poke holes in some of the dialogue and find new ways of seeing things. Jonathan Shapiro