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photography kids calling
I was always painting when I was a kid. But then when I handled a camera when I was 17, that was it for me. I loved photography. I would work 4 or 5 hours a day. It was like a calling. David LaChapelle
photography lying people
People say photographs don't lie, mine do. David LaChapelle
photography ideas crafts
I'm a photographer, period. I love photography, the immediacy of it. I like the craft, the idea of saying 'I'm a photographer.' David LaChapelle
photography trying generations
I'm really into my photography and am trying to catch up with digital generation - I was used to the old 35mm cameras. David Suchet
photography interesting firsts
The thing that was most interesting to me was getting my first prints back from the printer and realizing photography doesn't end with the click of a button, it starts there. Printing is so exciting. Bryan Adams
photography genius moguls
Madonna is her own Hollywood studio - a popelike mogul and divine superstar in one. She has a laserlike instinct for publicity, aided by her visual genius for still photography (which none of her legion of imitators has). Unfortunately, her public life has dissolved into a series of staged photo ops. Camille Paglia
photography fashion magazines
Computer enhancement has spread to still photography in advertisements, fashion pictorials, and magazine covers, where the human figure and face are subtly elongated or remodeled at will. Caricature is our ruling mode. Camille Paglia
photography years trying
I've been into photography for years and I do it as often as possible. I'm just trying to develop myself. C.J. Wilson
photography sorry people
There are people who expect me to look the way I do on-screen, where I have a great director of photography and fantastic lighting. I'm sorry to disappoint people, but I don't look like that all the time - no actress does. Catherine Zeta-Jones
want faces misery
I want to escape from myself. For when I do start up and stare myself seedily in the face, as happens to be my case at present, my blankness is inconceivable--indescribable--my misery amazing. Charles Dickens
want waste firsts
Hundreds would never have known want if they had not first known waste. Charles Spurgeon
want revival reverence
If we want revivals, we must revive our reverence for the Word of God. Charles Spurgeon
want walks
I want to walk through life. Alanis Morissette
want wake-up illusion
If you want to stay in a state of illusion, stay in it. But you can always wake up. Alan Watts
want doe angle
I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does? Alan Rickman
want making-money
Amateurs want to be right. Professionals want to make money. Alan Greenspan
want painting feels
I feel like there's too many paintings left unpainted that I just don't want to take the time away. Alan Bean
want herds
I don't want to follow the herd. Alain Robert
photographer cry shows
If it makes you cry, it goes in the show. Annie Leibovitz
photographer
I never set out to be a photographer. David Bailey
photographer exhausted possibility
Photographers stop photographing a subject too soon before they have exhausted the possibilities. Dorothea Lange
photographer moments fixed
Everything is a subject. Every subject has a rhythm. To feel it is the raison detre. The photograph is a fixed moment of such a raison detre, which lives on in itself. Andre Kertesz
photographer boring boring-things
I like boring things. Andy Warhol
photographer
Beauty is a sign of intelligence. Andy Warhol
photographer produce distinction
The good photographer will produce a competent picture every time whatever his subject. But only when his subject makes and immediate and direct appeal to his own interests will he produce a work of distinction. Bill Brandt
photographer impressed havens
I haven't seen too many images that have impressed me! Berenice Abbott
photographer contradiction natural
A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory. These contradictions both hide and increase the natural ambiguity of the photographic image. John Berger