Wynton Marsalis
Wynton Marsalis
Wynton Learson Marsalisis a trumpeter, composer, teacher, music educator, and artistic director of Jazz at Lincoln Center in New York City, United States. Marsalis has promoted the appreciation of classical and jazz music often to young audiences. Marsalis has been awarded nine Grammys in both genres, and his Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. Marsalis is the son of jazz musician Ellis Marsalis, Jr., grandson of Ellis Marsalis, Sr., and...
NationalityAmerican
ProfessionComposer
Date of Birth18 October 1961
CityNew Orleans, LA
CountryUnited States of America
New Orleans - the real New Orleans - is the soul of the country.
Music is the art of all the invisible things that are real. Art, emotion, spiritual essence, consciousness - these things are hard to prove. Music helps you to focus on your sound. We understand that for very young kids.
The real power of Jazz is that a group of people can come together and create improvised art and negotiate their agendas... and that negotiation is the art
You can reach a situation where things of intelligence and refinement and culture can be considered elite, and things that are crass and ignorant can be considered to be real and of the people. And when you begin to have the mass of populus striving for something that's not worth striving for, then tremendous amounts of energy go into...the maintenance of that which is worthless.
My daddy thought - no, he expected - that my brothers and I and our generation would make the world a better place. He was correct in his belief because he had lived in an America of continual social progress, depression followed by prosperity, segregation by integration, and so on.
I grew up in the South, and our way of dealing with each other was teasing, ribbing, making fun and scrapping in the street. Criticism doesn't bother me so much. It actually made me, when I was younger, more aggressive. But you get into middle age, and you lose interest in that stuff. It's not serious.
I became a man in New York. New York made me the musician that I am and the person that I am, so it's impossible for me to say I regret having lived there.
When you create change with your point of view, you have to be ready for what comes with that.
Duke Ellington always had a style: original, clean with interesting color combinations. He had an artist's eye.
What I've learned how to do as I've gotten older is to take all of the information that I have, and push it aside, and try to distill each song into an emotional theme. The hardest thing that I've ever had to learn how to do in playing music is use the sound of my instrument to create an emotional effect.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
As a jazz musician, you have individual power to create the sound. You also have a responsibility to function in the context of other people who have that power also.
Generally, when I wake up in the morning I set out a series of problems for myself and I write them down, and when I'm sleeping, my mind solves the problems. When I wake up in the morning, I have more clarity on the issue.
I'm not afraid of you being yourself. That's America.