Wyndham Lewis

Wyndham Lewis
Percy Wyndham Lewiswas an English painter and author. He was a co-founder of the Vorticist movement in art, and edited the literary magazine of the Vorticists, BLAST. His novels include his pre-World War I-era novel Tarr, and The Human Age, a trilogy comprising The Childermass, Monstre Gai and Malign Fiesta, set in the afterworld. A fourth volume of The Human Age, The Trial of Man, was begun by Lewis but left in a fragmentary state at the time of his...
NationalityEnglish
ProfessionPainter
Date of Birth18 November 1882
art excess sadism
Sadistic excess attempts to reach roughly and by harshness what art reaches by fineness.
men artist delight
Artists put as much vitality and delight into their saintliness and escape out as most men do their escapes into similar places from respectable existence.
eye artist voyages
I am an artist, and, through my eye, must confess to a tremendous bias. In my purely literary voyages my eye is always my compass.
art expression enormous
Art is the expression of an enormous preference.
art use standards
The art of advertisement, after the American manner, has introduced into all our life such a lavish use of superlatives, that no standard of value whatever is intact.
strong art book
To begin with, I hold that there is never an end; everything of which our life is composed, pictures and books as much as anything else, is a means only, in the sense that the work of art exists in the body of the movement of life. It may be a strong factor of progress and direction, but we cannot say that it is the end or reason of things, for it is so much implicated with them ; and when we are speaking of art we suddenly find that we are talking of life all the time.
zero artist car
What every artist should try to prevent is the car, in which is our civilized life, plunging over the side of the precipice -- the exhibitionist extremist promoter driving the whole bag of tricks into a nihilistic nothingness or zero.
art war world
Then down came the lid--the day was lost, for art, at Sarajevo. World-politics stepped in, and a war was started which has not ended yet: a "war to end war." But it merely ended art. It did not end war.
art people manners
If an art has for its function to represent manners and people, I do not see how it can avoid systematizing its sensibility to the extent of showing some figures much as Molière, for instance, did, as absurd or detestable.
art passion objectivity
Surely to root politics out of art is a highly necessary undertaking: for the freedom of art, like that of science, depends entirely upon its objectivity and non-practical, non-partisan passion.
art rivals vices
Life is art's rival and vice versa.
art stupid mind
Revolutionary politics, revolutionary art, and oh, the revolutionary mind, is the dullest thing on earth... What a stupid word! What a stale fuss!
art italian oil
But ‘art’ is not anything serious or exclusive: it is the smell of oil paint, Henri Murger’s Vie de Boheme, corduroy trousers, the operatic Italian model: but the poetry, above all, of linseed oil and turpentine.
artist should
An artist should be as impartial as God.