William Hazlitt
William Hazlitt
William Hazlittwas an English writer, drama and literary critic, painter, social commentator, and philosopher. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. He is also acknowledged as the finest art critic of his age. Despite his high standing among historians of literature and art, his work is currently little read and mostly out of print...
NationalityEnglish
ProfessionCritic
Date of Birth10 April 1778
writing pedants faults
To expect an author to talk as he writes is ridiculous; or even if he did you would find fault with him as a pedant.
writing mean passion
Poetry is only the highest eloquence of passion, the most vivid form of expression that can be given to our conception of anything, whether pleasurable or painful, mean or dignified, delightful or distressing. It is the perfect coincidence of the image and the words with the feeling we have, and of which we cannot get rid in any other way, that gives an instant "satisfaction to the thought." This is equally the origin of wit and fancy, of comedy and tragedy, of the sublime and pathetic.
writing men thinking
Dr. Johnson was a lazy learned man who liked to think and talk better than to read or write; who, however, wrote much and well, but too often by rote.
hate writing space
I hate anything that occupies more space than it is worth... I hate to see a parcel of big words without anything in them.
writing choices style
To write a genuine familiar or truly English style is to write as anyone would speak in common conversation, who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes.
writing simplicity style
Any one may mouth out a passage with a theatrical cadence, or get upon stilts to tell his thoughts; but to write or speak with propriety and simplicity is a more difficult task. Thus it is easy to affect a pompous style, to use a word twice as big as the thing you want to express; it is not so easy to pitch upon the very word that exactly fits it.
education writing able
It is better to be able neither to read nor write than to be able to do nothing else.
writing men
The more a man writes, the more he can write.
anniversary birthday celebrate man money monuments notice
When a man is dead, they put money in his coffin, erect monuments to his memory, and celebrate the anniversary of his birthday in set speeches. Would they take any notice of him if he were living? No!
work
When I take up a work that I have read before (the oftener the better) I know what I have to expect. The satisfaction is not lessened by being anticipated.
afterwards anywhere borrow english-critic life spend traveling
I should like to spend the whole of my life in traveling abroad, if I could anywhere borrow another life to spend afterwards at home.
playing
The world has been doing little else but playing at make-believe all its lifetime.
answering belief believe difference feeling left media paid spent swear truth turns
Belief is with them mechanical, voluntary: they believe what they are paid for -- they swear to that which turns to account. Do you suppose, that after years spent in this manner, they have any feeling left answering to the difference between truth and falsehood?
cleanse either interests reform regularly renew revolution sacrificed whenever
So society, when out of order, which it is whenever the interests of the many are regularly and outrageously sacrificed to those of the few, must be repaired, and either a reform or a revolution cleanse its corruptions and renew its elasticity.