William Hazlitt
William Hazlitt
William Hazlittwas an English writer, drama and literary critic, painter, social commentator, and philosopher. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. He is also acknowledged as the finest art critic of his age. Despite his high standing among historians of literature and art, his work is currently little read and mostly out of print...
NationalityEnglish
ProfessionCritic
Date of Birth10 April 1778
cold dull feelings glad impart man neither nor others pleasure share thoughts topic
We are cold to others only when we are dull in ourselves, and have neither thoughts nor feelings to impart to them. Give a man a topic in his head, a throb of pleasure in his heart, and he will be glad to share it with the first person he meets.
laughter feelings mind
Tears may be considered as the natural and involuntary resource of the mind overcome by some sudden and violent emotion, before ithas had time to reconcile its feelings to the change in circumstances: while laughter may be defined to be the same sort of convulsive and involuntary movement, occasioned by mere sur prise or contrast (in the absence of any more serious emotion), before it has time to reconcile its belief to contradictory appearances.
real hypocrisy feelings
Cant is the voluntary overcharging or prolongation of a real sentiment; hypocrisy is the setting up a pretension to a feeling you never had and have no wish for.
feelings youth eternity
There is a feeling of Eternity in youth which makes us amends for everything. To be young is to be as one of the Immortals.
air feelings understanding
A distinction has been made between acuteness and subtlety of understanding. This might be illustrated by saying that acuteness consists in taking up the points or solid atoms, subtlety in feeling the air of truth.
art feelings would-be
In art, in taste, in life, in speech, you decide from feeling, and not from reason ... If we were obliged to enter into a theoretical deliberation on every occasion before we act, life would be at a stand, and Art would be impracticable.
art bright common compose conveyed fine gentle lesson letting lives mind neglect note rest side slip smiles sunny time turning watch
What a fine lesson is conveyed to the mind -- to take no note of time but by its benefits, to watch only for the smiles and neglect the frowns of fate, to compose our lives of bright and gentle moments, turning always to the sunny side of things, and letting the rest slip for our imaginations, unheeded or forgotten! How different from the common art of self-tormenting!
adopt grow hear others reconcile sell tired willing
We grow tired of ourselves, much more of other people. Use may in part reconcile us to our own tediousness, but we do not adopt that of others on the same paternal principle. We may be willing to sell a story twice, never to hear one more than once.
forever last words
Words are the only things that last forever
afraid animal greatest ungrateful
There is no more mean, stupid, dastardly, pitiful, selfish, spiteful, envious, ungrateful animal than the Public. It is the greatest of cowards, for it is afraid of itself.
inspirational flow action
Everything is in motion. Everything flows. Everything is vibrating.
liars practice effort
Habitual liars invent falsehoods not to gain any end or even to deceive their hearers, but to amuse themselves. It is partly practice and partly habit. It requires an effort in them to speak truth.
absence cannot care complain exercise feeling friends-or-friendship good intent joy leave manifest merely neither nor persons points society solely subjects understanding useful worse
There are persons who cannot make friends. Who are they? Those who cannot be friends. It is not the want of understanding or good nature, of entertaining or useful qualities, that you complain of: on the contrary, they have probably many points of attraction; but they have one that neutralizes all these --they care nothing about you, and are neither the better nor worse for what you think of them. They manifest no joy at your approach; and when you leave them, it is with a feeling that they can do just as well without you. This is not sullenness, nor indifference, nor absence of mind; but they are intent solely on their own thoughts, and you are merely one of the subjects they exercise them upon. They live in society as in a solitude.
cannot errors lasting ourselves
It is not the errors of others, but our own miscalculations, on which we wreak our lasting vengeance. It is ourselves that we cannot forgive.