William Hazlitt

William Hazlitt
William Hazlittwas an English writer, drama and literary critic, painter, social commentator, and philosopher. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. He is also acknowledged as the finest art critic of his age. Despite his high standing among historians of literature and art, his work is currently little read and mostly out of print...
NationalityEnglish
ProfessionCritic
Date of Birth10 April 1778
character natural profound result simplicity
Simplicity of character is the natural result of profound thought.
art character exercise
A taste for liberal art is necessary to complete the character of a gentleman, Science alone is hard and mechanical. It exercises the understanding upon things out of ourselves, while it leaves the affections unemployed, or engrossed with our own immediate, narrow interests.
character personality enough
Anyone is to be pitied who has just sense enough to perceive his deficiencies.
character personality merit
Of all virtues, magnanimity is the rarest. There are a hundred persons of merit for one who willingly acknowledges it in another.
kings character imagination
Kings ought never to be seen upon the stage. In the abstract, they are very disagreeable characters: it is only while living that they are 'the best of kings'. It is their power, their splendour, it is the apprehension of the personal consequences of their favour or their hatred that dazzles the imagination and suspends the judgement of their favourites or their vassals; but death cancels the bond of allegiance and of interest; and seen AS THEY WERE, their power and their pretensions look monstrous and ridiculous.
life character men
A full-dressed ecclesiastic is a sort of go-cart of divinity; an ethical automaton. A clerical prig is, in general, a very dangerous as well as contemptible character. The utmost that those who thus habitually confound their opinions and sentiments with the outside coverings of their bodies can aspire to, is a negative and neutral character, like wax-work figures, where the dress is done as much to the life as the man, and where both are respectable pieces of pasteboard, or harmless compositions of fleecy hosiery.
children character envy
Envy is the deformed and distorted offspring of egotism; and when we reflect on the strange and disproportioned character of the parent, we cannot wonder at the perversity and waywardness of the child.
character eye air
Grace in women has more effect than beauty. We sometimes see a certain fine self-possession, an habitual voluptuousness of character, which reposes on its own sensations and derives pleasure from all around it, that is more irresistible than any other attraction. There is an air of languid enjoyment in such persons, "in their eyes, in their arms, and their hands, and their face," which robs us of ourselves, and draws us by a secret sympathy towards them.
character greatness purpose
To display the greatest powers, unless they are applied to great purposes, makes nothing for the character of greatness.
friends character common
The discussing the characters and foibles of common friends is a great sweetness and cement of friendship.
character decision firmness
There is nothing more to be esteemed than a manly firmness and decision of character.
character conceited ignorant
Anyone must be mainly ignorant or thoughtless, who is surprised at everything he sees; or wonderfully conceited who expects everything to conform to his standard of propriety.
characteristics chaucer intensity
The characteristic of Chaucer is intensity: of Spencer, remoteness: of Milton elevation and of Shakespeare everything.
character eye judging
We are fonder of visiting our friends in health than in sickness. We judge less favorably of their characters when any misfortune happens to them; and a lucky hit, either in business or reputation, improves even their personal appearance in our eyes.