Will Oldham
Will Oldham
Will Oldham, better known by the stage name Bonnie 'Prince' Billy, is an American singer-songwriter and actor. From 1993 to 1997, he performed and recorded under variations of the Palace name, including the Palace Brothers, Palace Songs, and Palace Music. After releasing material under his own name, he adopted the "Bonnie 'Prince' Billy" moniker for the majority of his output since 1998...
NationalityAmerican
ProfessionFolk Singer
Date of Birth24 December 1970
CityLouisville, KY
CountryUnited States of America
There are a limited number of promoters out there who care about that. You rarely meet a promoter who's like, "I want to be responsible for the best shows, I want to make sure that these are the best shows these audiences have ever seen."
I don't like the idea of being surrounded by hidden things; people you can't see in buildings and cars.
Excellence is the result of caring more than others think is wise, risking more than others think is safe, dreaming more than others think is practical, and expecting more than others think is possible.
I don't know that we did as many prints as we usually do, but we were really just careful to focus on what we wanted,
In an ideal world, records would be filed in record stores by title rather than by artist, as they are in video stores. I think it's better to identify with the work rather than the people who make the work. You can put your faith in a piece of work, but not in a group of people you don't know.
I get a lot out of a show when I know that I don't know anyone in the audience and don't think the audience knows much about the music.
I think most great actors have their own life trajectory, the character motion doesn't have anything to do with their life motion.
I feel like, for me, reading Thomas Merton is like that. When you're a ways into it, you're five pages in, 20 pages in, 30 pages in, it seems like one of the more oxymoronic undertakings you could attempt.
There's nothing that compares to watching that final 17 to 20 minute sequence in one sitting. It fills you with a giddy energy watching that. Then, being gifted with the silence that follows...I've never had a theatrical experience like that before, I'm sure.
If we were making a record in Kentucky, there might be some more elements that recall a time, a place, or a relationship. Recording for the BBC you enter into this strange and wonderful, but kind of sterile, place with which you have no personal history, and that's the Maida Vale Studios at BBC in London.
You're making something that won't be what it is until some unknown date in the future. All aspects of the personal disappear.
When I listen to them, they're like they were made as time capsules in the first place. You know that when you're writing the song and recording the song, you're already sending a message to the future listener, whoever and wherever and whenever that will be.
To me, recordings are little fourth-dimension artifacts, because they already are representatives of past, present, and future, just inherently in their existence.
When you're listening to a recording, you're supposedly listening to some aspect of the past in the present as you travel slowly into the future, but you also know there's a very strong likelihood that the future of that recording, whether you made it or whether you're listening to a Led Zeppelin record, is going to continue probably far beyond where you are.