Wes Craven
Wes Craven
Wesley Earl "Wes" Cravenwas a prolific and influential American film director, writer, producer, and actor known for his pioneering work in the genre of horror films, particularly slasher films. Due to the success and cultural impact of his works in the horror film genre Craven has been called the "Master of Horror"...
NationalityAmerican
ProfessionDirector
Date of Birth2 August 1939
CityCleveland, OH
CountryUnited States of America
country war hero
There was a generation of kids who were just kind of emulating distant heroes and wearing peace symbols, and parents who were thinking of themselves as liberal and removed from barbarity, but it also was the era of Vietnam. I very much was influenced - and I think the whole country was kind of in a state of shock - for the first time seeing the horror and cruelty of war.
real war father
When I was a kid, I was taken to something called Telenews in Cleveland by my best friend's father. My own father was gone by the time I was 5, I think, but this man would take us to Telenews at the end of World War II, and we'd watch all these newsreels. I'd seen real stuff. That kind of stuck in my mind.
cut ended everybody final good john knows pulled seen turned
I've seen the final cut and it's a lot of fun, ... It actually turned out pretty well and it ended up with everybody thinking, 'By God, John really knows what he's doing.' He pulled it off. Absolutely. He did a real, real good job.
beautiful came early girls love missing movies names quality seen soon sort thinking
Rachel was one of the early names that came up. As soon as we started thinking about her, we really got excited. She has a quality that is missing in a lot of American girls now. You know, just a sense of wholesomeness. And I had seen her movies and I thought they showed such range. At one moment, she's doing 'Mean Girls,' which is sort of high-level comedy, in a way, and then she's doing this really beautiful love story.
closely
Without being on the set, I was very closely involved.
deal films final power releases studio
Those are the only two films I've made in which I have significant ownership. So you can make a deal where a studio releases your film but doesn't have final cut. You have a lot of power that you wouldn't have otherwise.
certainly limits range
I don't know where the limits of her range are. I certainly didn't find them.
girls missing quality
She has a quality that is missing in a lot of American girls now ...
best context hold horror obviously step
It's obviously not buckets of blood; it's a psychological thriller, ... For me, it was kind of an announcement that I can step out of the horror context and hold my own with the best of them.
cruise jude law role talked tom
Everyone from Tom Cruise to Jude Law was talked about for this role - and not everyone was available, and some we couldn't afford.
calls filmmakers films horror studios taking
Everybody's making horror films and, to me, not especially well. I don't know if it's (due to) the corporations taking over studios or what it is. But it really calls for some young filmmakers to come in and just do something from their hearts.
actress audience audiences best great horror loved means meryl name nominated people pleasure run surprised
The audience that would see that movie, by and large, doesn't go to see horror films, ... It was a great pleasure to make, and to see Meryl (Streep) nominated (for a best actress Oscar) for it. But most of the people I run into who loved it are surprised that I made it. When you have a name that means scares, you have to live with that.
behind books experiment feeling onto people
It's kind of experiment time, ... We'll see if people get behind us, and if the picture's any good. But it has to be that people will experiment with me. If not, fine, I'll just go back to writing books or something. But I have the feeling I'm onto something.
definitely elements films horror work
It's a thriller, it's definitely not a horror film, but it has enough of the elements that also work in horror films like suspense.