Wes Craven
Wes Craven
Wesley Earl "Wes" Cravenwas a prolific and influential American film director, writer, producer, and actor known for his pioneering work in the genre of horror films, particularly slasher films. Due to the success and cultural impact of his works in the horror film genre Craven has been called the "Master of Horror"...
NationalityAmerican
ProfessionDirector
Date of Birth2 August 1939
CityCleveland, OH
CountryUnited States of America
I said, 'I don't know how to write a scary movie,' and he told me, 'Just pull all the skeletons out of your closet,' ... Over the weekend, I wrote The Last House on the Left , and those guys (in Boston) loved it. We shot it in 16 mm. It caused a firestorm of controversy, and off I went.
I've seen the final cut and it's a lot of fun, ... It actually turned out pretty well and it ended up with everybody thinking, 'By God, John really knows what he's doing.' He pulled it off. Absolutely. He did a real, real good job.
We have a romantic comedy, a road picture and a period piece that I've developed over the years, ... Now we're just putting them out there for consideration (by investors).
My whole family still lives there, ... I mean, where is Cleveland anymore? They're in Cleveland Heights, Burton, Willoughby, places like that. Mostly all over the eastern suburbs.
Without being on the set, I was very closely involved.
Those are the only two films I've made in which I have significant ownership. So you can make a deal where a studio releases your film but doesn't have final cut. You have a lot of power that you wouldn't have otherwise.
After that, everybody-assumed I must be a terrifying person who lived in a cave. We both tried to make other kinds of films, but we couldn't get any money. They were offering us money to make scary movies, so I went off and made The Hills Have Eyes , and Sean went off and did Friday the 13th ,
Everyone from Tom Cruise to Jude Law was talked about for this role - and not everyone was available, and some we couldn't afford.
Everybody's making horror films and, to me, not especially well. I don't know if it's (due to) the corporations taking over studios or what it is. But it really calls for some young filmmakers to come in and just do something from their hearts.
The audience that would see that movie, by and large, doesn't go to see horror films, ... It was a great pleasure to make, and to see Meryl (Streep) nominated (for a best actress Oscar) for it. But most of the people I run into who loved it are surprised that I made it. When you have a name that means scares, you have to live with that.
You can't ignore the 800-pound gorilla: There's no shortage of post-9/11 jitters. I don't think anybody likes sitting down next to a stranger for five hours.
It's kind of experiment time, ... We'll see if people get behind us, and if the picture's any good. But it has to be that people will experiment with me. If not, fine, I'll just go back to writing books or something. But I have the feeling I'm onto something.
It's obviously not buckets of blood; it's a psychological thriller, ... For me, it was kind of an announcement that I can step out of the horror context and hold my own with the best of them.
It's a thriller, it's definitely not a horror film, but it has enough of the elements that also work in horror films like suspense.