Walter Dean Myers

Walter Dean Myers
Walter Dean Myerswas an American writer of children's books best known for young adult literature. He wrote more than one hundred books including picture books and nonfiction. He won the Coretta Scott King Award for African-American authors five times. His 1988 novel Fallen Angels is one of the books most frequently challenged in the U.S. because of its adult language and its realistic depiction of the Vietnam War...
NationalityAmerican
ProfessionWriter
Date of Birth12 August 1937
CountryUnited States of America
I was a good student, but a speech impediment was causing problems. One of my teachers decided that I couldn't pronounce certain words at all. She thought that if I wrote something, I would use words I could pronounce. I began writing little poems. I began to write short stories, too.
I would enjoy having dinner with the poet/playwright Derek Walcott.
My dad was a janitor for U.S. Radium Corporation, and he stayed there for 37 years. So he didn't read.
I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.
People still try to sell books that way - as 'books can take you to foreign lands.' We've given children this idea that reading and books are a nice option, if you want that kind of thing. I hope we can get over that idea.
My younger brother's death in Vietnam was both sobering and cause for reflection. In 'Fallen Angels' I wanted to dispel the notion of war as either romantic or simplistically heroic.
So many organizations have a mentoring arm, but they don't really do it. Their idea of mentoring a kid is giving them general advice. But what they need to do is read with children.
When my family fell apart, it was such a troubled part of my life... I think I could understand what I was going through, but I didn't have the vocabulary for it.
After so many books and so many years of writing, I have a good idea of my strengths and weaknesses. I love the process of writing and, if I allowed myself, I would write far too much every day. One weakness which I've struggled to overcome is my tendency to having my characters ruminate for pages.
I had seen the ballet of 'Swan Lake' as a child but it was as an adult, when I saw a production featuring Erik Bruhn, that I first noticed how significant a part the ever-present threat of violence played. This juxtaposition of great beauty and grace with a backdrop of pure evil stayed with me for years.
Thinking back to boyhood days, I remember the bright sun on Harlem streets, the easy rhythms of black and brown bodies, the sounds of children streaming in and out of red brick tenements.
I live intimately with my characters before starting a book. I cut out pictures of them for my wall. I do time lines for each major character and a time line for the entire novel: What is going on in the world as my characters struggle with their problems?
I began going to juvenile prisons. And some of these kids face some very, very tough lives. How do they handle these lives? Do they even know that if their life is bad, that they're still OK? Do they know that? Do they know that someone is thinking the same way that they're thinking?
Growing up in Harlem, I had the chance to practice with a Negro League team. At fifteen, I was over six feet tall and a fair athlete, but my skills didn't come close to some of the players I saw.