Walter Benjamin

Walter Benjamin
Walter Bendix Schönflies Benjamin was a German Jewish philosopher and cultural critic. An eclectic thinker, combining elements of German idealism, Romanticism, Western Marxism, and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory, literary criticism, and historical materialism. He was associated with the Frankfurt School, and also maintained formative friendships with thinkers such as playwright Bertolt Brecht and Kabbalah scholar Gershom Scholem. He was also related by law to German political theorist Hannah Arendt through her first marriage...
NationalityGerman
ProfessionCritic
Date of Birth15 July 1892
CountryGermany
The methods of peaceful protests are not capable of being effective, because in reality most people pay little attention to things that are not abrasive.
The real reason Cuba poses a threat has nothing to do with my being here or anyone else being here. It's because Cuba is an example of a country that is actively fighting against imperialist domination and insists on its own right to self-determination and sovereignty.
I realized that I was connected to Africa.
I realized that I was connected to Africa. I wasn't just a Colored girl. I was part of a whole world that wanted a better life. I'm part of a majority and not a minority. My life has been a life of growth. If you're not growing, you're not going to understand real love. If you're not reaching out to help others then you're shrinking. My life has been active. I'm not a spectator
All of my experience of studying religion, studying spirituality, studying natural healing, traditional medicine, has kind of enriched my vision of the world. Not only seeing reality as this moment, but as a culmination of all of the history behind us, and all of the fruit that hopefully we will be able to grow from the seeds that we are trying to plant, of goodness and peace and beauty and equality.
Dreams and reality are opposites. Action synthesizes them.
Counsel woven into the fabric of real life is wisdom.
... [L]ess than at any time does a simple reproduction of reality tell us anything about reality. A photograph of the Krupp works or GEC yields almost nothing about those institutions. Reality proper has slipped into the functional. The reification of human relationships, the factory, let's say, no longer reveals these relationships. Therefore something has to be constructed, something artificial, something set up.
The adjustment of reality to the masses and of the masses to reality is a process of unlimited scope, as much for thinking as for perception.
Allegories are, in the realm of thought, what ruins are in the realm of things.
He who seeks to approach his own buried past must conduct himself like a man digging. . . . He must not be afraid to return again and again to the same matter; to scatter it as one scatters earth, to turn it over as one turns over soil. For the matter itself is only a deposit, a stratum, which yields only to the most meticulous examination what constitutes the real treasure hidden within the earth: the images, severed from all earlier associations, that stand -like precious fragments or torsos in a collector's gallery -in the prosaic rooms of our later understanding.
Work on a good piece of writing proceeds on three levels: a musical one, where it is composed; an architectural one, where it is constructed; and finally, a textile one, where it is woven.
I had to adjust to living in a Third World country, which means that things people in the U.S. take for granted-like hot running water whenever you turn on the tap-are not always available.
In the long run, the people are our only appeal. The only ones who can free us are ourselves.