Walter Benjamin
Walter Benjamin
Walter Bendix Schönflies Benjamin was a German Jewish philosopher and cultural critic. An eclectic thinker, combining elements of German idealism, Romanticism, Western Marxism, and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory, literary criticism, and historical materialism. He was associated with the Frankfurt School, and also maintained formative friendships with thinkers such as playwright Bertolt Brecht and Kabbalah scholar Gershom Scholem. He was also related by law to German political theorist Hannah Arendt through her first marriage...
NationalityGerman
ProfessionCritic
Date of Birth15 July 1892
CountryGermany
I have declared war on the rich who prosper on our poverty, the politicians who lie to us with smiling faces, and all the mindless, heartless, robots who protect them and their property.
Memory is not an instrument for exploring the past but its theatre. It is the medium of past experience, as the ground is the medium in which dead cities lie interred.
These are days when no one should rely unduly on his competence. Strength lies in improvisation. All the decisive blows are struck left-handed.
Uncleanness is so much the attribute of officials that one could almost regard them as enormous parasites...In the same way the fathers in Kafka's strange families batten on their sons, lying on top of them like giant parasites. They not only prey upon their strength, but gnaw away at the sons' right to exist. The fathers punish, but they are at the same time the accusers. The sin of which they accuse their sons seems to be a kind of original sin.
He who observes etiquette but objects to lying is like someone who dresses fashionably but wears no vest.
Each morning the day lies like a fresh shirt on our bed; this incomparably fine, incomparably tightly woven tissue of pure prediction fits us perfectly. The happiness of the next twenty-four hours depends on our ability, on waking, to pick it up.
Work on a good piece of writing proceeds on three levels: a musical one, where it is composed; an architectural one, where it is constructed; and finally, a textile one, where it is woven.
I had to adjust to living in a Third World country, which means that things people in the U.S. take for granted-like hot running water whenever you turn on the tap-are not always available.
In the long run, the people are our only appeal. The only ones who can free us are ourselves.
I'm crafting a vision of my life that involves creativity. And Cuban society allows me to do this. I know it's harder in the U.S. where so many people are just grateful to have a job.
There's something about approaching 50 that's very liberating. Political struggle has always been a 24-hour-a-day job for me. I felt I could never take time out for myself. Now I feel I owe it to myself to develop in ways I've been putting off all my life.
Being in Cuba has allowed me to live in a society that is not at war with itself. There is a sense of community. It's a given in Cuba that, if you fall down, the person next to you is going to help you get up.
I think it's really hard to plan if you don't believe you can implement those plans.
I have been a political activist most of my life and many groups have attempted to label me as a criminal because of my outspoken beliefs. I am not a criminal and I have never been one.