Vincent Van Gogh
Vincent Van Gogh
Vincent Willem van Gogh; 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter whose work had a far-reaching influence on 20th-century art. In just over a decade he created approximately 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by symbolic colourisation and dramatic, impulsive and highly expressive paintwork. He sold only one painting during his lifetime and...
NationalityDutch
ProfessionPainter
Date of Birth30 March 1853
CityZundert, Netherlands
Perhaps it will seem to you that the sunshine is brighter and that everything has a new charm. At least, I believe this is always the result of a deep love, and it is a beautiful thing. And I believe people who think love prevents one from thinking clearly are wrong; for then one thinks very clearly and is more active than before. And love is something eternal--the aspect may change, but not the essence. There is the same difference in a person before and after he is in love as there is in an unlighted lamp and one that is burning. The lamp was there and it was a good lamp, but now it is shedding light too, and that is its real function. And love makes one calmer about many things, and in that way, one is more fit for one's work.
To express the love of two lovers by a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of Kindred tones. To express the thought of a brow by the radiance of light tone against a somber background; to express hope by some star, the eagerness of a soul by a sunset radiance.
How lovely yellow is! It stands for the sun.
To express hope by some star, the eagerness of a soul by a sunset radiance. Certainly there is nothing in that of stereoscopic realism, but is it not something that actually exists?
I am working with the enthusiasm of a man from Marseilles eating bouillabaisse, which shouldn't come as a surprise to you because I am busy painting huge sunflowers.
I work even in the middle of the day, in the full sunshine, and I enjoy it like a cicada.
The sunflower is mine, in a way.
I am painting with the same enthusiasm as a Marseillaise eats bouillabaisse ... I am painting big sunflowers.
I'm now painting with all the elan of a Marseillais eating soup, which won't surprise you when I tell you I'm painting large sunflowers. The idea? To decorate the studio, now there's hope of Gauguin living here. I aim at a dozen panels of sunflowers in the room I've set aside for Gauguin....
It would be difficult for me to express all my thoughts about it. It remains a constant disappointment to me that my drawings are not yet what I want them to be. The difficulties are indeed numerous and great, and cannot be overcome immediately. Maki
For me, the work is an absolute necessity. I cannot put it off; I don't care for anything else; that is to say, the pleasure in something else ceases at once, and I become melancholy when I cannot go on with my work. I feel then as the weaver does wh
I am always doing what I cannot do yet, in order to learn how to do it
I have drawn into myself so much that I literally do not see any other people anymore-- excepting the peasants with whom I have direct contact, since I paint them.
Love is eternal - the aspect may change, but not the essence. There is the same difference in a person before and after he is in love as there is in an unlighted lamp and one that is burning. The lamp was there and was a good lamp, but now it is shed