Viggo Mortensen
Viggo Mortensen
Viggo Peter Mortensen Jr. /ˈviːɡoʊ ˈmɔːrtənsən/is an American actor. He made his film debut in Peter Weir's 1985 thriller Witness, and subsequently appeared in many notable films of subsequent years, including The Indian Runner, Carlito's Way, Crimson Tide, Daylight, The Portrait of a Lady, G.I. Jane, A Perfect Murder, A Walk on the Moon, and 28 Days...
NationalityAmerican
ProfessionMovie Actor
Date of Birth20 October 1958
CityNew York City, NY
CountryUnited States of America
It's also just weird getting that much fan mail from strangers. I may just have to say that if I'm doing a book signing or you catch me on the street, then fine. But otherwise I cannot do it anymore. It takes hours everyday and it takes too much time away from other things I must do.
What keeps the film from being by-the-numbers has a lot to do with David. A lot of directors would have made an exploitation movie.
You get all these things, there are all these letters and gifts, sometimes strange ones; most of the time it can be really nice. But at the same time, it's overwhelming. Because I know I'm going to have to look through it. Most of it is filling the corners of my house and I can't respond to it all right away.
there he is, I'm watching him, there he goes.
I have never been in a natural place and felt that was a waste of time. I never have. And it's a relief. If I'm walking around a desert or whatever, every second is worthwhile.
When you say mainstream, that usually implies mediocre. And this is not mediocre. There's probably a good chance that it could be the most widely seen of any of his movies, but he's still peeling the layers away, looking at how weird we are, looking at how strangely we look at the world, looking at how prickly we can be, looking at how paranoid we can be.
It's not the end of the world if I can't get a film job, or if a movie doesn't turn out well - even though I don't like it when that happens. There are other things I enjoy doing, and I involve myself in them.
'The Road' is about that fear that all parents can have - 'What's going to happen to your child if you're not around?'
In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
We live as though there aren't enough hours in the day, but if we do each thing calmly and carefully we will get it done quicker and with much less stress.
It's just like with people. You're going to get along better working with them - human or equine - if you ask politely rather than demand that they do things.
It's a simple narrative on the surface, ... The setting, certainly. And there are certain things that remind one of genre imagery that you've seen before, whether it's action movies or crime movies or Westerns. There are a lot of elements that look familiar. But it's kind of like the family itself. Everything that looks normal, in the end, isn't really. And like a lot of David's movies, at the end you say, 'Well, is anyone really normal?'
It's one of the best roles I've ever played,
The way we present ourselves is a veneer, and beneath that, there are a lot more unpleasant things. Other directors might have missed a lot of the subtleties of this story and made a meal out of the violence.