Viggo Mortensen
Viggo Mortensen
Viggo Peter Mortensen Jr. /ˈviːɡoʊ ˈmɔːrtənsən/is an American actor. He made his film debut in Peter Weir's 1985 thriller Witness, and subsequently appeared in many notable films of subsequent years, including The Indian Runner, Carlito's Way, Crimson Tide, Daylight, The Portrait of a Lady, G.I. Jane, A Perfect Murder, A Walk on the Moon, and 28 Days...
NationalityAmerican
ProfessionMovie Actor
Date of Birth20 October 1958
CityNew York City, NY
CountryUnited States of America
beautiful dad ideas
Once you learn the idea of what a good guy is, you want your dad to be a good guy, and when your dad lets you down and doesn't act like a good guy, it's disappointing and can make you angry as you see it happen, which is beautiful and very believable.
ideas excuse-you noble
It doesn't matter how bad things are, something good could happen always. And it doesn't matter how many excuses you have for behaving in an unkind manner towards others. There's never any excuse for not being kind and it's always better to be kind even if it seems pointless and that in fact is the highest wisdom - being kind. It sounds like a very noble, ethereal, simplistic idea but it's true.
thinking ideas interesting
In principle, I think the idea of rewarding a good effort is interesting, but movies are generally different from each other as are performances and the conditions on how the performances are given and how they're edited and so forth.
ideas austria half
At the end of the 19th century and the first half of the 20th century in Austria, there was a lot of anti-Semitism. Anti-Semitism in Austria was much more pervasive than in Germany. And Austrians took to Nazi ideas and anti-Semitism much more readily than Germans did, really.
mean ideas actors
I have no idea what 'method actor' means.
arrived care crap grain interest relatively situation smoke
I've been told that I've arrived many times over the years so I take it with a grain of salt. It's a relatively new situation obviously, but if it all went up in smoke tomorrow, I wouldn't really care that much. There are a lot of things that interest me. As for my fortunes, it's really a crap shoot.
corners filling gifts house letters respond strange time
You get all these things, there are all these letters and gifts, sometimes strange ones; most of the time it can be really nice. But at the same time, it's overwhelming. Because I know I'm going to have to look through it. Most of it is filling the corners of my house and I can't respond to it all right away.
desert felt natural nature second walking waste
I have never been in a natural place and felt that was a waste of time. I never have. And it's a relief. If I'm walking around a desert or whatever, every second is worthwhile.
directors keeps
What keeps the film from being by-the-numbers has a lot to do with David. A lot of directors would have made an exploitation movie.
watching
there he is, I'm watching him, there he goes.
best roles
It's one of the best roles I've ever played,
book cannot catch everyday fan hours mail otherwise signing takes time weird
It's also just weird getting that much fan mail from strangers. I may just have to say that if I'm doing a book signing or you catch me on the street, then fine. But otherwise I cannot do it anymore. It takes hours everyday and it takes too much time away from other things I must do.
along human politely
It's just like with people. You're going to get along better working with them - human or equine - if you ask politely rather than demand that they do things.
action anyone certain crime elements family genre imagery looks movies narrative remind seen simple whether
It's a simple narrative on the surface, ... The setting, certainly. And there are certain things that remind one of genre imagery that you've seen before, whether it's action movies or crime movies or Westerns. There are a lot of elements that look familiar. But it's kind of like the family itself. Everything that looks normal, in the end, isn't really. And like a lot of David's movies, at the end you say, 'Well, is anyone really normal?'