Viggo Mortensen
Viggo Mortensen
Viggo Peter Mortensen Jr. /ˈviːɡoʊ ˈmɔːrtənsən/is an American actor. He made his film debut in Peter Weir's 1985 thriller Witness, and subsequently appeared in many notable films of subsequent years, including The Indian Runner, Carlito's Way, Crimson Tide, Daylight, The Portrait of a Lady, G.I. Jane, A Perfect Murder, A Walk on the Moon, and 28 Days...
NationalityAmerican
ProfessionMovie Actor
Date of Birth20 October 1958
CityNew York City, NY
CountryUnited States of America
new-york cities spain
When I heard Puerto Ricans in New York City, it sounded very strange. And the first time I heard someone from Spain, I thought they had a speech impediment!
mean talking cities
Walking down the street in any town or city in the world and having people look at you and start talking to you, convinced that they know you as well or better than they do members of their own family, that's just an odd phenomenon. But I mean, I wouldn't say it was a bad thing. It's an interesting thing.
country hate cities
If there's one thing I've learned from traveling, it's that it is definitely more important how you are than where you are. You can say, 'Oh, I hate X city, I hate that country, or I prefer this city,' but it's a little bit up to you to find some kind of happiness.
compared odd time
I mean, I've been around a long time compared to a lot of other actors. I mean, I've been working on and off for 20 odd years.
I like naturally occurring film grain, and what happens to film when it's under- and over-exposed.
best experience final hard movies objective result terms written
It's hard to be objective about it, ... But it's one of the movies I most like. It's the most complete. It really works. I know that it's probably the best movie-making experience and final result in terms of a creative, well thought out movie that's well written and well acted.
watching
there he is, I'm watching him, there he goes.
corners filling gifts house letters respond strange time
You get all these things, there are all these letters and gifts, sometimes strange ones; most of the time it can be really nice. But at the same time, it's overwhelming. Because I know I'm going to have to look through it. Most of it is filling the corners of my house and I can't respond to it all right away.
arrived care crap grain interest relatively situation smoke
I've been told that I've arrived many times over the years so I take it with a grain of salt. It's a relatively new situation obviously, but if it all went up in smoke tomorrow, I wouldn't really care that much. There are a lot of things that interest me. As for my fortunes, it's really a crap shoot.
beneath directors meal might missed ourselves present subtleties unpleasant
The way we present ourselves is a veneer, and beneath that, there are a lot more unpleasant things. Other directors might have missed a lot of the subtleties of this story and made a meal out of the violence.
human improvement ordeal survive
Any ordeal that you can survive as a human being is an improvement in your character,and usually an improvement in your life.
desert felt natural nature second walking waste
I have never been in a natural place and felt that was a waste of time. I never have. And it's a relief. If I'm walking around a desert or whatever, every second is worthwhile.
along human politely
It's just like with people. You're going to get along better working with them - human or equine - if you ask politely rather than demand that they do things.
action anyone certain crime elements family genre imagery looks movies narrative remind seen simple whether
It's a simple narrative on the surface, ... The setting, certainly. And there are certain things that remind one of genre imagery that you've seen before, whether it's action movies or crime movies or Westerns. There are a lot of elements that look familiar. But it's kind of like the family itself. Everything that looks normal, in the end, isn't really. And like a lot of David's movies, at the end you say, 'Well, is anyone really normal?'