Veronica Roth

Veronica Roth
Veronica Rothis an American novelist and short story writer known for her debut New York Times bestselling Divergent trilogy, consisting of Divergent, Insurgent, and Allegiant; and Four: A Divergent Collection. Divergent was the recipient of the Goodreads Favorite Book of 2011 and the 2012 winner for Best Young Adult Fantasy & Science Fiction...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth19 August 1988
CityNew York City, NY
CountryUnited States of America
Without thinking, I grab Al's arm and squeeze it as tightly as I can. I just need something to hold on to. Blood runs down the side of Christina's face and splatters on the ground next to her cheek. This is the first time I have ever prayed for someone to fall unconscious.... Al frees his hand and pulls me tight to his side. I clench my teeth to keep from crying out.
Just because they didn’t shoot you all in the head doesn’t mean their intentions were somehow honorable. Why do you think they came here? Just to run through your hallways, knock you conscious, and leave?
The shouts of triumph become infectious, and I lift my voice to join in, running toward my teammates. Christina holds the flag up high, and everyone clusters around her, grabbing her arm to lift the flag even higher. I can't reach her, so I stand off to the side, grinning. A hand touches my shoulder. "Well done," Four says quietly.
That execution will take place here." She runs her fingertips over the table beneath her. "On this table. I thought it would be interesting to show you." "I knew what would happen when I came here," I say. "It's just a table. And I'd like to go back to my room now.
Beatrice," she says. "Beatrice, we have to run." She pulls my arm across her shoulders and hauls me to my feet. She is dressed like my mother and she looks like my mother, but she is holding a gun, and the determined look in her eyes is unfamiliar to me.
I try to catch my breath and calm myself down, but it isn't easy. I was dead. I was dead, and then i wasn't, and why? Because of Peter? Peter? I stare at him. He still looks so innocent, despite all that he has done to prove that he is not. His hair lies smooth against his head, shiny and dark, like we didn't just run for a mile at full speed. His round eyes scan the stairwell and then rest on my face. "What?" he says. "Why are you looking at me like that?" " How did you do it?" I say.
What do--" Tobias's voice. Tobias! "Oh my God. Oh--" "Spare me your blubbering, okay? Peter says. "She's not dead; she's just paralyzed. It'll only last for about a minute. Now get ready to run." I don't understand. How does Peter know? "Let me carry her," Tobias says. "No. You're a better shot than I am. Take my gun. I'll carry her.
I think he came to die with me," I say. I clamp my hand over my mouth to stifle a sob. If I can keep breathing, I can stop crying. I didn't need or want him to die with me. I wanted to keep him safe. What an idiot, I think, but my heart isn't in it. "That's ridiculous," he says. "That doesn't make any sense. He's eighteen; he'll find another girlfriend once you're dead. And he's stupid if he doesn't know that." Tears run down my cheeks, hot at first and then cold. I close my eyes. "If you think that's what it's about..." I swallow another sob. "...you're the stupid one.
I can't force you. I can't make you want to survive this." He pulls me against him and runs his hand over my hair, tucking it behind my ear. His fingers trail down my neck and over my shoulder, and he says, "But you will do it. It doesn't matter if you believe you can or not. You will, because that's who you are.
Caleb runs up to me and folds me carefully in his arms. I breathe a sigh of relief. I thought I had gotten to the point where I didn’t need my brother anymore, but I don’t think such a point actually exists.
I have something to tell you," he says. I run my fingers along the tendons in his hand and look back at him. "I might be in love with you." He smiles a little. "I’m waiting until I’m sure to tell you, though.
I have something I need to tell you," he says. I run my fingers along the tendons in his hands and look back at him. "I might be in love with you." He smiles a little. "I'm waiting until I'm sure to tell you, though." "That's sensible of you," I say, smiling too. "We should find some paper so you can make a list or a chart or something." I feel his laughter against my side, his nose sliding along my jaw, his lips pressing my ear. "Maybe I'm already sure," he says, "and I just don't want to frighten you." I laugh a little. "Then you should know better." "Fine," he says. "Then I love you.
The man running toward me is not a man, he is a boy. A shaggy-haired boy with a crease between his eyebrows. Will. Dull-eyed and mindless, but still Will. He stops running and mirrors me, his feet planted and his gun up. In an instant, I see his finger poised over the trigger and hear the bullet slide into the chamber, and I fire. My eyes squeezed shut. Can't breathe. The bullet hit him in the head. I know because that's where I aimed it.
I notice, however, that Peter only pretends to inject himself—when he presses the plunger down, the fluid runs down his throat, and he wipes it casually with a sleeve. I wonder what it feels like to volunteer to forget everything.