Ursula K. Le Guin
Ursula K. Le Guin
Ursula Kroeber Le Guinis an American author of novels, children's books, and short stories, mainly in the genres of fantasy and science fiction. She has also written poetry and essays. First published in the 1960s, her work has often depicted futuristic or imaginary alternative worlds in politics, the natural environment, gender, religion, sexuality and ethnography...
NationalityAmerican
ProfessionWriter
Date of Birth21 October 1929
CountryUnited States of America
odds two limits
Capitalism’s grow-or-die imperative stands radically at odds with ecology’s imperative of interdependence and limit. The two imperatives can no longer coexist with each other; nor can any society founded on the myth that they can be reconciled hope to survive. Either we will establish an ecological society or society will go under for everyone, irrespective of his or her status.
life hurt two
A profound love between two people involves, after all, the power and chance of doing profound hurt.
dark two glowing
Life goes on, even if two-headed and glowing faintly in the dark.
children real two
My Real Children starts quietly, then suddenly takes you on two roller-coaster rides at once, swooping dizzily through a double panorama and ending in a sort of super Sophie's Choice. A daring tour de force.
two kind universal
There are two kinds of knowledge, local and universal.
two-sides hands life-and-death
Death and life are the same thing-like the two sides of my hand, the palm and the back. And still the palm and the back are not the same...They can be neither separated, nor mixed.
war civilization two
If civilization has an opposite, it is war. Of these two things, you have either one, or the other. Not both.
character reality two
What is a body that casts no shadow? Nothing, a formlessness, two-dimensional, a comic-strip character. If I deny my own profound relationship with evil I deny my own reality. I cannot do, or make; I can only undo, unmake.
afraid believe blames caring daughter ensuring forever gets grows hair home male means mother percent seven shining sisterhood teeth thighs thin trapped woman women
A Woman is home caring for her children! even if she can't. Trapped in this well-built trap, A Woman blames her mother for luring her into it, while ensuring that her own daughter never gets out; she recoils from the idea of sisterhood and doesn't believe women have friends, because it probably means something unnatural, and anyhow, A Woman is afraid of women. She's a male construct, and she's afraid women will deconstruct her. She's afraid of everything, because she can't change. Thighs forever thin and shining hair and shining teeth and she's my Mom, too, all seven percent of her. And she never grows old.
basically breaks constructs custom male order power rule values women
To me the ''female principle'' is, or at least historically has been, basically anarchic. It values order without constraint, rule by custom not by force. It has been the male who enforces order, who constructs power structures, who makes, enforces, and breaks laws.
above achieve compassion imagination
It is above all by the imagination that we achieve perception and compassion and hope.
good journey matters
It is good to have an end to journey toward, but it is the journey that matters in the end.
cast
To light a candle is to cast a shadow.
cannot deals medium novelist says whose
The artist deals in what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.