Umberto Eco
Umberto Eco
Umberto Eco OMRIwas an Italian novelist, literary critic, philosopher, semiotician and university professor. He is best known internationally for his 1980 historical mystery novel Il nome della rosa, an intellectual mystery combining semiotics in fiction, with biblical analysis, medieval studies and literary theory. He later wrote other novels, including Il pendolo di Foucaultand L'isola del giorno prima. His novel Il cimitero di Praga, released in 2010, was a best-seller...
NationalityItalian
ProfessionNovelist
Date of Birth5 January 1932
CountryItaly
From lies to forgeries the step is not so long, and I have written technical essays on the logic of forgeries and on the influence of forgeries on history.
Semiotics is in principle the discipline studying everything which can be used in order to lie. If something cannot be used to tell a lie, conversely it cannot be used to tell the truth: it cannot in fact be used "to tell" at all.
Perhaps the mission of those who love mankind is to make people laugh at the truth, to make truth laugh, because the only truth lies in learning to free ourselves from insane passion for the truth.
Because of lies, we can produce and invent a possible world.
The good of a book lies in its being read.
As a scholar I am interested in the philosophy of language, semiotics, call it what you want, and one of the main features of the human language is the possibility of lying.
If you want to become a man of letters and perhaps write some Histories one day, you must also lie and invent tales, otherwise your History would become monotonous. But you must act with restraint. The world condemns liars who do nothing but lie, even about the most trivial things, and it rewards poets, who lie only about the greatest things.
The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb.
Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library seemed all the more disturbing to me. It was then the place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treausre of secrets emanated by many minds, surviving the death of those who had produced them or had been their conveyors.
The only truth lies in learning to free ourselves from insane passion for the truth.
If people buy my books for vanity, I consider it a tax on idiocy.
There are books on our shelves we haven't read and doubtless never will, that each of us has probably put to one side in the belief that we will read them later on, perhaps even in another life.
Berlusconi is a genius in communication. Otherwise, he would never have become so rich.
The grandeur of Jerusalem is also... its problem.