Umberto Eco

Umberto Eco
Umberto Eco OMRIwas an Italian novelist, literary critic, philosopher, semiotician and university professor. He is best known internationally for his 1980 historical mystery novel Il nome della rosa, an intellectual mystery combining semiotics in fiction, with biblical analysis, medieval studies and literary theory. He later wrote other novels, including Il pendolo di Foucaultand L'isola del giorno prima. His novel Il cimitero di Praga, released in 2010, was a best-seller...
NationalityItalian
ProfessionNovelist
Date of Birth5 January 1932
CountryItaly
Creativity can only be anarchic, capitalist, Darwinian.
Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy.
Originality and creativity are nothing but the result of the wise management of combinations. The creative genius combines more rapidly, and with a greater critical sense of what gets tossed out and what gets saved, the same material that the failed genius has to work with.
If people buy my books for vanity, I consider it a tax on idiocy.
There are books on our shelves we haven't read and doubtless never will, that each of us has probably put to one side in the belief that we will read them later on, perhaps even in another life.
Berlusconi is a genius in communication. Otherwise, he would never have become so rich.
The grandeur of Jerusalem is also... its problem.
At a certain moment, I decided to write a story. I had no more small children to tell them stories.
There is nothing more difficult to define than an aphorism.
Many people who no longer go to church end up falling prey to superstition.
Young people do not watch television; they are on the Internet.
Today, political events are nullified unless they're on TV.
You die, but most of what you have accumulated will not be lost; you are leaving a message in a bottle.
When someone has to intervene to defend the liberty of the press, that society is sick.