Tom Waits
Tom Waits
Thomas Alan Waitsis an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding like "it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona...
NationalityAmerican
ProfessionPop Singer
Date of Birth7 December 1949
CityPomona, CA
CountryUnited States of America
Some day I'm gonna be gone and people will be listening to my songs and conjuring me up. In order for that to happen, you gotta put something of yourself in it.
Songs are pretty easy. They are small, they are modular, they are about as big as a bagel. They are easy to build. Films are overwhelming in their magnitude and scope. By comparison, a lot of film directors wish they were writing songs because you can do it while getting your hair cut.
Sometimes when you're making songs you just make sounds, and the sounds slowly mutate and evolve into actual words that have meaning.
People make songs so that somebody else will hear them and want to do them. I guess it's an indication that the songs aren't so ultra-personal that they can't possibly be interpreted by anyone else.
Every single song has its own individual character and you can't treat each song the same way, because it wants to be treated differently and there are songs that are like scared birds that you have to sneak up on over the course of months in the woods.
I used to imagine that making it in music - really making it in music - is if you're an old man going by a schoolyard and you hear children singing your songs, playing jump-rope, or on the swings. That's the ultimate. You're in the culture.
There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.
I don't know if any genuine, meaningful change could ever result from a song. It's kind of like throwing peanuts at a gorilla.
When you say you're doing an opera, it's like when you're a seven-year-old and say, 'I'm off to Washington, Dad.' You kind of go, 'Sure. Sure you are, son.'
Your old home town's so far away, but inside your head there's a record that's playing, a song called 'Hold On
Most songs that aren't jump-rope songs, or lullabies, are cautionary tales or goodbye songs and road songs.
Songs really are like a form of time travel because they really have moved forward in a bubble. Everyone who's connected with it, the studio's gone, the musicians are gone, and the only thing that's left is this recording which was only about a three-minute period maybe 70 years ago.
Well you wave your hand and they scatter like crows They have nothing that will ever capture your heart They're just thorns without the rose Be careful of them in the dark Oh, if I was the one you chose to be your only one Oh baby can't you hear me now, can't you hear me now Will I see you tonight on a downtown train Every night it's just the same, you leave me lonely now
Most of us have the residue of thousands of songs in our ears, that if you end up songwriting, I think you're mostly smoking the residue of all that material you absorbed over time.