Tom Shales
Tom Shales
Thomas William "Tom" Shalesis an American critic of television programming and operations. He is best known as TV critic for The Washington Post; in 1988, Shales received the Pulitzer Prize. He also writes a column for the television news trade publication NewsPro, published by Crain Communications...
NationalityAmerican
ProfessionWriter
Date of Birth3 November 1948
CountryUnited States of America
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'Minute to Win It' is a variation on a game show from the 1950s called 'Beat the Clock,' in which contestants won washing machines and fox stoles by doing such pointless stunts as catching a tennis ball in a paper cup or knocking a hat off one's wife's head with a whipped-cream spritzer.
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From a producer's point of view, of course, 'Law & Order' presents an ideal - a show that is almost entirely actor-proof, that can keep going and going no matter what happens to the cast or how many actors demand raises.
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In city after city, newspaper after newspaper has diminished its staff of critics, sometimes to zero. Film and T.V. critics have been dropped and not replaced. Maybe they're deemed unnecessary because nobody cares if anything's good or not.
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It's hard to believe that professional entertainers could have put together a show less entertaining than this year's Oscars, hosted with a smug humorlessness by comic Jon Stewart, a sad and pale shadow of great hosts gone by.
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The original and very basic 'Law & Order' series has always seemed to me to be 100-percent exposition, with no filler, no pesky nuances and almost no background about the series' continuing characters - just the hard nuts and bolts of pure storytelling.
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Viewers ... may well have been hoping the famous giant ball was the only thing that would drop before the night was over.
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'Dragnet' (the 1951 original, transferred nearly intact from radio) served as a veritable template for all cop shows to come.
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Revisiting 'Leave It to Beaver,' and seeing it in the pristine visual clarity of digital restoration, are mood-altering if not quite mind-altering experiences, very much for the better.
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So it is that one side effect of the HD revolution has been the gratifying and edifying return of the nature documentary - films about the hugely varied forms of life that eat, sleep, stalk, mate, fight, thrive, suffer and struggle on our dear and embattled old Earth.
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It might be hard to remember this far back, but once upon a time, some of us hoped that public TV would develop into a smart, sophisticated, civilized alternative to commercial TV - not a cheap imitation of it.
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'American Idol' is sometimes lumped with reality shows and it has that element - folks-next-door battling it out in a contest. But instead of fighting leeches, bugs, parasites and each other, as on CBS's 'Survivor' and other shows that imitate it, the 'American Idol' contestants, of course, sing.
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In the best traditions of American comedy, from its beginnings through the crash-bang comedies of the 1990s and 2000s, Leslie Nielsen skewered the otherwise proper, did it with mischievous delight and convulsed audiences mercilessly.
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I always thought I'd buy my mother a house if I ever became successful - a big, beautiful house on the nicest street in town. It didn't exactly work out that way. I was still borrowing money from her in my 40s.
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You do have to wonder how Jack Bauer, maverick hero of '24,' can stay hidden for so long when no matter where he goes, he always seems within range of a TV camera. Or six.