Tom Robbins
Tom Robbins
Thomas Eugene "Tom" Robbins is an American novelist. His best-selling novels are "seriocomedies", often wildly poetic stories with a strong social and philosophical undercurrent, an irreverent bent, and scenes extrapolated from carefully researched bizarre facts. His novel Even Cowgirls Get the Blues was made into a movie in 1993 by Gus Van Sant and stars Uma Thurman, Lorraine Bracco, and Keanu Reeves...
NationalityAmerican
ProfessionNovelist
Date of Birth22 July 1932
CityBlowing Rock, NC
CountryUnited States of America
Life isn't stable. Stability is unnatural. The only stable society is the police state. You can have a free society or you can have a stable society. You can't have both. Take your choice. As for me, I'll choose a free, organic society over a rigid, artificial society any day.
To an artist a metaphor is as real as a dollar.
The trouble with you is that the only way you can communicate is through art. You’ve never learned to communicate your feelings to a man. You don’t even want to communicate in a relationship. You think that if you open up to love, you’ll lose your independence or your self-expression or creativity or whatever you call all that passionate, wonderful stuff that makes you feel alive inside.
Very few people can write in a crowd. This is a very solitary occupation. I have known people more talented than me who never made it. And the primary reason was always that they couldn't stand to be alone for several hours a day. Any writer worth anything has mastered the art. The art of solitude.
The most useful thing about art is it's uselessness.
A mockingbird... was heard to blend the songs of 32 different kinds of birds into a 10 minute performance, a virtuoso display that served no practical purpose, falling, therefore, into the realm of pure art.
When we accept bad art because it's good politics, we're killing the swan to feed the chickens.
Time passed. Art came off the walls and became rituals. Ritual became religion. Religion spawned science. Science led to big business. And big business, if it continues on its present, mindless trajectory, could land those lucky enough to survive its ultimate legacy back into caves again.
I like to think of myself as a fiction writer who liked art enough to write about it for a while, and then went on to his fiction.
Those people who recognise that imagination is reality's master, we call sages, and those who act upon it, we call artists.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
You know a trillion times more about art than me. But I’ve learned that it isn’t necessary to know all that much. You just make what you wanna see, right? It’s a game, right? It’s like being paid for dreaming.
I believed in looking at people as individuals, not in groups. I hated groups; still do. And I saw particularly the university, the university artists really acted as a group. The others didn't so much, but the university people took advantage of that and behaved like a group, rather than as individuals. They had a lot of power that way.
The function of the artist is to provide what life does not.