Tom Robbins

Tom Robbins
Thomas Eugene "Tom" Robbins is an American novelist. His best-selling novels are "seriocomedies", often wildly poetic stories with a strong social and philosophical undercurrent, an irreverent bent, and scenes extrapolated from carefully researched bizarre facts. His novel Even Cowgirls Get the Blues was made into a movie in 1993 by Gus Van Sant and stars Uma Thurman, Lorraine Bracco, and Keanu Reeves...
NationalityAmerican
ProfessionNovelist
Date of Birth22 July 1932
CityBlowing Rock, NC
CountryUnited States of America
As long as a population can be induced to believe in a supernatural hereafter, it can be oppressed and controlled. People will put up with all sorts of tyranny, poverty, and painful treatment if they're convinced that they'll eventually escape to some resort in the sky where lifeguards are superfluous and the pool never closes. Moreover, the faithful are usually willing to risk their skins in whatever military adventure their government may currently be promoting.
Most really good fiction is compelled into being. It comes from a kind of uncalculated innocence. You need not have your ending in mind before you commence. Indeed, you need not be certain of exactly what's going to transpire on page 2. If you know the whole story in advance, your novel is probably dead before you begin it. Give it some room to breathe, to change direction, to surprise you. Writing a novel is not so much a project as a journey, a voyage, an adventure.
Choice. It's the word that allows yes and the word that makes no possible. It's the word that puts the free in freedom and takes obligation out of the mix. It's the word upon which adventure, exhilaration, and authenticity depend. It's the word that the cocoon whispers to the caterpillar.
The principal difference between an adventurer and a suicide is that the adventurer leaves himself a margin of escape (the narrower the margin the greater the adventure)
Writing a novel is not so much a project as a journey, a voyage, an adventure.
My life is not merely a public phenomenon, it is a solitary adventure as well.
…not a fighter… an adventurer. He doesn’t attack, he engages; He doesn’t defend, he expands; He doesn’t destroy, he transforms; He doesn’t reject, he explores; ….
Whenever I finish a book, I go off and have some kind of adventure. Having had an adventure in my writing chair or on my writing sofa, an internal adventure, then I need to balance that off with an external adventure, so I'll go tramping through Africa or whitewater rafting or float to Hawaii in a martini shaker or something.
Admittedly, having a bit of disposable cash in the bank can give you a sense of Buddhistic calm, and despite the fallacy involved, that's probably preferable to the bonafide adventure of robbing a bank. A better alternative, however, is to learn to be at peace even when common sense (a highly overrated virtue) would lead you to believe that someone in your situation ought to feel threatened and insecure.
Our greatest human adventure is the evolution of consciousness. We are in this life to enlarge the soul, liberate the spirit, and light up the brain.
Danger is to adventure what garlic is to spaghetti sauce. Without it, you just end up with stewed tomatoes.
Humanity has advanced, when it has advanced, not because it has been sober, responsible, and cautious, but because it has been playful, rebellious, and immature.
I show up in my writing room at approximately 10 A.M. every morning without fail. Sometimes my muse sees fit to join me there and sometimes she doesn't, but she always knows where I'll be. She doesn't need to go hunting in the taverns or on the beach or drag the boulevard looking for me.
Our Similarities bring us to a common ground; Our Differences allow us to be fascinated by each other