Tom Hiddleston
Tom Hiddleston
Thomas William Hiddleston is an English actor. At the beginning of his career, he appeared in West End theatre productions of Cymbelineand Ivanov. He won the Laurence Olivier Award for Best Newcomer in a Play for his role in Cymbeline and was also nominated for the same award for his role as Cassio in Othello...
NationalityEnglish
ProfessionMovie Actor
Date of Birth9 February 1981
CityWestminster, England
teacher children war
I always found the extraordinary loss of life in the First World War very moving. I remember learning about it as a very young child, as an eight- or nine-year-old, asking my teachers what poppies were for. Every year the teachers would suddenly wear these red paper flowers in their lapels, and I would say 'What does that mean?'
running strong children
What I learned in Guinea is that we are all responsible for the state of our world. The world - and the system by which we trade, share, cooperate and conflict - is clearly not working. We are only as strong as our weakest members. UNICEF is run at every level by strong, relentlessly energetic, deeply capable people who use that strength, energy and capability to help those who need it most: the weakest, most disadvantaged women and children of our world. All I can do now is help make people aware of what is happening, of what they are doing. That is all that I can do. For now.
children school doctors
I am no saviour. I’m absolutely the last person on the planet who can practically help. I don’t know how to make the different types of therapeutic feeding milk. I’m no chemist. I’m no doctor. I’m no engineer. I can’t manufacture polio vaccines or organise their transportation to the health centres in Saramoussayah or Bissikirima. I can’t build schools, or design drainage systems. I can’t provide the women and children of Mandiana with water.All I can do now is help make people aware of what is happening, of what they are doing. That is all that I can do. For now.
pain children space
Showing young children in these communities, that there are outlets for their feelings, that there is room in a space for their stories to be told, and that they will be applauded - and it's not about ego, it's about connection: that their pain is everybody else's pain.
heartbroken children self-worth
I don't want to name names because I don't want to draw too many direct comparisons but the history of Fascism is populated by people who need to subjugate other people and elevate their status and power to a level which is supreme. Usually, any psychological study of those people will reveal a sort of lost, damaged child, who is somehow heartbroken and doesn't have any self-worth.
football children player
As a child, I had a deck of Marvel top trumps. You can get top trumps with racing cars, or fighter planes, or football players... I had all of the Marvel superheroes and super-villains you could get, and I used to play them with my friends. They were all listed according to their height and weight and agility and their super-powers.
known people tend
Actors do tend to get pigeonholed. People want to know who you are so they can put you in a box. It's lovely to be known for such diametrically opposite roles.
brain needs heavy
The learning is the heavy lifting. You need to get the words into your brain.
beach morning capes
If you get up in the morning and wear a pair of shorts and a t-shirt and some flip-flops, it's a signal that you might be going to the beach. If you get up in the morning and you wear a breast plate and a back plate and a cape and a pair of golden Satanic horns on your head, it's quite clear that you're doing something else.
play joy tennis
Everybody is great and the chemistry is different with everyone. That is the joy of acting - you really don't know how it is going to go until you turn up. It's like playing tennis, you can't plan for the match you are going to play until you are actually up against your opponent and what happens, happens. That is the joy of being on set.
mother brother father
We're travelling through space and time, we're dealing with gods and monsters, but at the heart of the film, from my perspective, is a family - a father, two sons, two brothers, a mother and the fractious, intimate interaction that they have.
cooking scripts roles
At Christmas, individuals are apportioned their roles in the family script - you're either the funny one or the sensitive one; or you either do the cooking or the washing up. And those roles aren't easy to change.
thinking voice style
I'm sure favorite moments in movies are things that just happen accidentally when the camera is there. You have to do all the homework to get yourself into the period, the costumes, the style, the voice, the hairdo or whatever it is, but once you've done all that work, you have to kind of let it go and just be there. If you're always thinking about it, it just looks a bit over-thought.
dust challenges magic
I learn the lines as soon as I can and then the challenge really, for filming, is to show up and be there and respond to what's around you. That's where the gold dust is. It's really strange, no amount of preparation will help you with the magic of spontaneity on the day [of filming].