Tom Hiddleston
Tom Hiddleston
Thomas William Hiddleston is an English actor. At the beginning of his career, he appeared in West End theatre productions of Cymbelineand Ivanov. He won the Laurence Olivier Award for Best Newcomer in a Play for his role in Cymbeline and was also nominated for the same award for his role as Cassio in Othello...
NationalityEnglish
ProfessionMovie Actor
Date of Birth9 February 1981
CityWestminster, England
book character night
The book [Night manager] is amazing. It is amazing to act in any book adaptation, because a book gives you so many secrets and details that don't necessarily get shot in an adaptation. They give you a cushion underneath everything. The detail in the character, the detail in the tone.
character drawing dancing
I couldn't possibly tell you. But I would say be very careful with your suppositions. People are so quick to jump. That's what I love about playing the character. People are so quick to draw conclusions about who he is. The whole thing about Loki is that he's dancing on this liminal line between redemption and destruction. Just be very careful about drawing conclusions based on what you see.
character thinking people
My instinct is to keep people guessing. I think as an actor your greatest strength is your versatility, I suppose. The blanker the canvas, the easier it is to project the illusion of a character onto it. I think there are many actors who do that very successfully.
kings character expectations
I was so lucky because what I did in 'Thor' was I built the character from the ground up - the foundations of his spirit, really. He was someone who was born with an expectation that he would one day be a king, born with an entitlement.
character reason roman-gods
The thing about playing gods, whether you're playing Thor and Loki or Greco Roman gods or Indian gods or characters in any mythology, the reason that gods were invented was because they were basically larger versions of ourselves.
running morning character
The thing about running is, if I run in the morning before work, I feel like I'm ahead of the day. Whatever work I've done in terms of preparation or research or thinking about the scene or the character, it all kind of crystallizes in that moment in the morning. And sometimes I have the best ideas then.
character volume relevant
It’s always about, somehow, finding a part of myself that is relevant, and then turning the volume up on that particular part. So, I am all of the characters I've ever played, and I am none of them at the same time.
character thinking interesting
I think that is so interesting. It is le Carré. There must be so much of him when he was younger. He's an interesting character. I don't want to say the word "passive" because there is something very active about the way he is passive, if that makes any sense: the nature of his watching and his listening is active. It is always so alive because he is, essentially, a spy.
character roles actors
It is so rare as an actor to be allowed the chance to revisit a role and to go back to a character that you already built, and lived inside, and understood. To take it further to another stage is a huge privilege.
known people tend
Actors do tend to get pigeonholed. People want to know who you are so they can put you in a box. It's lovely to be known for such diametrically opposite roles.
brain needs heavy
The learning is the heavy lifting. You need to get the words into your brain.
beach morning capes
If you get up in the morning and wear a pair of shorts and a t-shirt and some flip-flops, it's a signal that you might be going to the beach. If you get up in the morning and you wear a breast plate and a back plate and a cape and a pair of golden Satanic horns on your head, it's quite clear that you're doing something else.
play joy tennis
Everybody is great and the chemistry is different with everyone. That is the joy of acting - you really don't know how it is going to go until you turn up. It's like playing tennis, you can't plan for the match you are going to play until you are actually up against your opponent and what happens, happens. That is the joy of being on set.
mother brother father
We're travelling through space and time, we're dealing with gods and monsters, but at the heart of the film, from my perspective, is a family - a father, two sons, two brothers, a mother and the fractious, intimate interaction that they have.