Tom Hiddleston
Tom Hiddleston
Thomas William Hiddleston is an English actor. At the beginning of his career, he appeared in West End theatre productions of Cymbelineand Ivanov. He won the Laurence Olivier Award for Best Newcomer in a Play for his role in Cymbeline and was also nominated for the same award for his role as Cassio in Othello...
NationalityEnglish
ProfessionMovie Actor
Date of Birth9 February 1981
CityWestminster, England
actors realist lows
I'm an eternal realist and the success rate for being an actor is pretty low.
actors nasty easier
As an actor, it's much, much easier to be really nasty to someone that you really like.
character roles actors
It is so rare as an actor to be allowed the chance to revisit a role and to go back to a character that you already built, and lived inside, and understood. To take it further to another stage is a huge privilege.
actors want students
I don't want to be quoted as 'Tom Hiddleston, psychologist says...' But there is a psychological aspect to being an actor. We are particular students of human nature - not every actor is, of course, but that's what fascinates me about being an actor.
known people tend
Actors do tend to get pigeonholed. People want to know who you are so they can put you in a box. It's lovely to be known for such diametrically opposite roles.
brain needs heavy
The learning is the heavy lifting. You need to get the words into your brain.
beach morning capes
If you get up in the morning and wear a pair of shorts and a t-shirt and some flip-flops, it's a signal that you might be going to the beach. If you get up in the morning and you wear a breast plate and a back plate and a cape and a pair of golden Satanic horns on your head, it's quite clear that you're doing something else.
play joy tennis
Everybody is great and the chemistry is different with everyone. That is the joy of acting - you really don't know how it is going to go until you turn up. It's like playing tennis, you can't plan for the match you are going to play until you are actually up against your opponent and what happens, happens. That is the joy of being on set.
mother brother father
We're travelling through space and time, we're dealing with gods and monsters, but at the heart of the film, from my perspective, is a family - a father, two sons, two brothers, a mother and the fractious, intimate interaction that they have.
cooking scripts roles
At Christmas, individuals are apportioned their roles in the family script - you're either the funny one or the sensitive one; or you either do the cooking or the washing up. And those roles aren't easy to change.
thinking voice style
I'm sure favorite moments in movies are things that just happen accidentally when the camera is there. You have to do all the homework to get yourself into the period, the costumes, the style, the voice, the hairdo or whatever it is, but once you've done all that work, you have to kind of let it go and just be there. If you're always thinking about it, it just looks a bit over-thought.
dust challenges magic
I learn the lines as soon as I can and then the challenge really, for filming, is to show up and be there and respond to what's around you. That's where the gold dust is. It's really strange, no amount of preparation will help you with the magic of spontaneity on the day [of filming].
air ideas giving
The weird thing about serious acting is I've always done impressions of people, all my life, and I did the thing called a balloon debate. The idea is there's a hot air balloon traveling across the Atlantic and it's going down and you have to give a speech as to why you should stay in the balloon. Six people are going to be chucked out and you want to stay.
acting degrees trust-and-respect
Acting takes a degree of mutual trust and respect.