Todd Rundgren

Todd Rundgren
Todd Harry Rundgrenis an American multi-instrumentalist, songwriter, and record producer. Hailed in the early stages of his career for both his own material and for his production of other artists, supported by the certified gold solo double LP Something/Anything? in 1972, his career has produced a diverse and eclectic range of recordings often both as a solo artist and as a member of the band Utopia. Rundgren has often been at the forefront as a promoter of cutting edge recording...
NationalityAmerican
ProfessionRock Singer
Date of Birth22 June 1948
CityUpper Darby, PA
CountryUnited States of America
I've got billions of sparrows to worry about as well as everything else'. So there's the whole idea that whatever it is that you believe, it can never be valid unless you have some consensus reality demonstration.
There are still people who believe in that and wake up every day believing it's possible, and invest their whole selves in that.
And so it's inescapable and people who proclaim scrupulous honesty can only proclaim that if they don't examine closely the things they believe.
I believe the word "infidel" is not particular to any religion. I believe we are all created in the image of God, in fact, we are all God, or at one with God, at our deepest core essence. I think "infidel" refers to one who does not believe that God is none other than the Self. The "infidel" is the individual personality who identifies with the body and thoughts and not the Divine Indweller. Therefore we are all "infidels" save the sacred few who have transcended the notion of the limited self. The ancient mystics of all tradtitions have said this.
Everyone has been a witness sometime - It doesn't change it if you don't believe.
I write in a very strange way. Things are very fragmentary for a very long time, and then they come together very quickly near the end of the process.
I think there are always people who, when they get the bug to play an instrument, they want to get as good as they can with it rather than just be simply adequate at it. You run into them every once in a while - some kid who wants to be the next Stevie Ray Vaughan, for whatever reason, and plays exactly like him.
I don't know what the inspiration for most of songs really mean until I finish them. For the most part, I'm going for a visceral impression, and I write the words last.
Because of the way the record business has kind of stumbled and disintegrated, in a way, you're as likely to sell records at your merch table at your gigs as you are to sell them in a regular record outlet or even online.
Kids don't want to dye their whole head another color; that's what their mothers do.
When I got out of high school, I joined a local blues band in Philadelphia - Woody's Truck Stop.
Before there were any sort of 'recordings' there was performance. If we are devolved back to the Stone Age tomorrow, there will be performance.
So there was a way for you to get promoted and survive as an artist without worrying about AM radio hits.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.