Tim Burton
Tim Burton
Timothy Walter "Tim" Burtonis an American film director, producer, artist, writer and animator. He is known for his dark, gothic and quirky fantasy films such as Beetlejuice, Edward Scissorhands, the animated musical The Nightmare Before Christmas, the biographical film Ed Wood, the horror fantasy Sleepy Hollow, and later efforts such as Corpse Bride, Sweeney Todd: The Demon Barber of Fleet Street, Dark Shadowsand Frankenweenie. He is also known for blockbusters such as the adventure comedy Pee-wee's Big Adventure, the superhero...
NationalityAmerican
ProfessionDirector
Date of Birth25 August 1958
CityBurbank, CA
CountryUnited States of America
Anybody who knows me knows I would never read a comic book. And I certainly would never read anything written by Kevin Smith.
Anybody who knows me knows I would never read a comic book.
There was one moment, and it happened in school. I had a big final exam--we were supposed to write a 20-page report on this book about Houdini [Harry Houdini]. I probably would have loved reading it, but I didn't, so I just decided to make a little super-8 movie based on it. I tied myself to the railroad tracks and all that. I mean, this is kid stuff, but it impressed the teacher, and I got an A. And that was maybe my first turning point, when I said, 'Yeah, I wouldn't mind being a filmmaker.'
Even if you're doing something that the studio sends you, or something that's based on a book or story, at the end of it all, you try to make whatever it is your own. This is based on my love of horror movies. Everything is based on something, in some way.
Each time I've worked with Johnny, he's something different. He's interested in being a character and not necessarily interested in his persona, and I find it very exciting to work with actors like that. He's really willing to take risks that don't have to do with image or money. And each time is just different and better. It's great to find people like that you can communicate with on an almost subconscious level.
There's just something visceral about moving a puppet frame by frame. There's a magical quality about it. Maybe you can get smoother animation with computers, but there's a dimension and emotional quality to this kind of animation that fits these characters and this story.
When I saw Carlos's drawings, they reminded me a little of the way I draw. They showed that you could make appealing human characters.
I happened to be listening to David Bowie's 'Heroes,' ... That, and a colleague in Austria was teaching heroism to Americans - how we spend lots of time discussing heroism.
I felt quite connected with Carlos before I met him.
With other people she can play humans. With me, it's completely non-human characters.
We're trying to make employees more conscious of what they are buying.
It's two thirds cheaper than other animated films. As animated films go this is low budget.
It's almost the best cast I think I've ever worked with. The voices are so distinctive, they really nailed their characters. ... For me, in this particular case, it almost becomes more like a live-action movie, because their voices are so strong.
It's funny, because 'Nightmare' wasn't a real success when it came out ...