Terence McKenna
Terence McKenna
Terence Kemp McKennawas an American ethnobotanist, mystic, psychonaut, lecturer, author, and an advocate for the responsible use of naturally occurring psychedelic plants. He spoke and wrote about a variety of subjects, including psychedelic drugs, plant-based entheogens, shamanism, metaphysics, alchemy, language, philosophy, culture, technology, environmentalism, and the theoretical origins of human consciousness. He was called the "Timothy Leary of the '90s", "one of the leading authorities on the ontological foundations of shamanism", and the "intellectual voice of rave culture"...
NationalityAmerican
ProfessionPhilosopher
Date of Birth16 November 1946
CityPaonia, CO
CountryUnited States of America
And certainly when I reached La Chorerra in 1971 I had a price on my head by the FBI, I was running out of money, I was at the end of my rope. And then “THEY” recruited me and said, “you know, with a mouth like yours there's a place for you in our organization“. And I've worked in deep background positions about which the less said the better. And then about 15 years ago they shifted me into public relations and I've been there to the present.
We are living in a state of constant scientific revolution. There is not a single area that you can name that is now seen as it was seen a hundred years ago. Nothing is left of the world view of one hundred years ago.
Nobody should be allowed more than fifty years to get their act together.
Shamanism is not some obscure concern of cultural anthropologists. Shamanism is how religion was practiced for its first million years. Up until about 12,000 years ago there was no other form of religion on this planet. That was how people attained some kind of access to the sacred.
Capitalism is going to deal itself out of existence, but before it does that, you're gonna pay $50 for a latte, because inflation is going impoverish all of us before people get pissed off enough to realize that all of the last hundred years of economic progress was actually a shell game to create billionaires, while the great masses of people saw their standard of living eroded and destroyed.
History is just this froth of artifact production that has appeared in the last ten to fifteen thousand years. It spread across the planet very quickly. But that mind in man just goes back and back into the darkness.
What is the psychedelic experience? What promise does it hold for a sane future for our planet and our children? And what is it about it that kindles the kind of loyalty that I feel coming from the people in this room this evening? And I submit to you that it is nothing less than the rebirth of a voice that has been silent for at least a thousand years, the still small voice of the Logos of the planet.
There has been no progress in 60,000 years in reducing the psychedelic experience to a known quantity. It is as terrifying, as awesome, as ecstatic, as irreducible to us as it was to them.
The Germans take quite a knock for the holocaust, but the Catholic church manages to push more people into death, disease, and degradation every year than the holocaust managed in its entire show. And it's thought rather crass to even mention the fact. It seems to me that as long as these Catholic bishops can show their face in public that we are in complicity with mass murder.
But a mature humanity could get into a place where we no longer required these metaphysical spankings from messiahs and flying saucers that come along every thousand years or so to mess up the mess that has been created and try and send people off on another tack. And the way to do this is to look at the abysses that confront man as species and individuals and try to unify them. And I think that psilocybin offers a way out because it allows a dialogue with the over-mind. You won't read about it in "Scientific American" or anywhere else. You will carry it out.
History, call it 15,000 or 25,000 years of duration, is the story of an animal, some kind of complex animal, becoming conscious.
For me, what all these years of psychedelic taking came to was a new model of how reality works, a new model of what the world is.
We are the damaged heirs of a damaged cultural style which has been practiced now for about seven thousand years.
The sensory ratios that are being reinforced by the new electronic technology are like the sensory ratios that were in place fifteen thousand years ago. . . . Print imposes a condition on human mind which is now lifting.