Talib Kweli
Talib Kweli
Talib Kweli Greeneis an American hip hop recording artist, entrepreneur, and social activist. He is the son of professional educators. In 2011, Kweli founded Javotti Media, which is self-defined as "a platform for independent thinkers and doers". Kweli earned recognition early on through his work with fellow Brooklyn artist, Yasiin Bey, formerly known as Mos Def, when they formed the group Black Star. Kweli's career continued with solo success including collaborations with famed producers Kanye West, Just Blaze, and Pharrell...
NationalityAmerican
ProfessionMusician
Date of Birth3 October 1975
CountryUnited States of America
Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.
Truthfully I wanna rhyme like common senseNext best thing I do a record with common sense
I will never do a record without some sense of responsibility.
I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.
When Occupy Wall Street happened, I took my money out of Citibank. I already had problems with all the banks - Citibank, Bank of America - but I was kind of just too lazy to take my money out until I saw how Citibank responded to Occupy Wall Street.
My personal take on politics is I deal with social situations and cultural situations in my music and in my life. I have said on record many times that I haven't voted. I'm not the type of person who says, 'I'm never going to vote.' I think it's clear to me that our system has failed us.
People can be inspired the way I've been inspired by music.
Before Eminem, the idea that there would be a white rapper that anybody would really check for was fantastic or amazing or impossible.
There's consciousness in my music, and my music comes from a conscious place. And when people say that, I certainly take it as a compliment. But my job, in terms of selling my music, is to be universal and to try to get it to everybody.
When I'm in the studio, I'm strictly thinking about the beats, the rhymes and the song. The decision I make once the songs are created, and there's a barcode put on the package, and I'm out there in the street selling it, those decisions as a businessman are different than the creative decisions you make.
I think hip-hop is no more misogynistic than America is as a society. I just think hip-hop is a lot more brash, a lot more bold, a lot more loquacious. There are a lot more words that go into a hip-hop song than go into a regular song.
If I'm performing with a DJ, it's all on me to draw the energy. I like the camaraderie of a band.
I'm a fan of Bjork, a fan of Premier, you know, those are the first two names that come to my mind. You know, I've learned a lot from every person I've collaborated with, from Madlib to Jean Grae and Hi-Tek, to Mos to DJ Quik, to even somebody like Jermaine Dupri. I've taken something important away from every experience.
I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.