Sydney Pollack

Sydney Pollack
Sydney Irwin Pollackwas a United States born film director, producer and actor. Pollack directed more than 21 films and 10 television shows, acted in over 30 films or shows, and produced over 44 films. His 1985 film Out of Africa won him Academy Awards for directing and producing; he was also nominated for Best Director Oscars for They Shoot Horses, Don't They?and Tootsie, in the latter of which he also appeared...
NationalityAmerican
ProfessionDirector
Date of Birth1 July 1934
CountryUnited States of America
I'm not a very good predictor in any area of art, particularly my own. I don't know how to evaluate that.
You know, essentially when you do a play you're reinterpreting a work of art that already exists. That's not what happens with a movie.
I don't know about liberal bias, but people of a liberal mentality are probably attracted in greater numbers to the arts than people of a conservative mentality.
With a movie you're creating from the beginning this particular work, let's not call it work of art, because very few movies are works of art, let's just call them bits of popular culture, whatever they are, sometimes very rarely by accident a movie becomes a work of art.
Most human beings who are accustomed to attempting to see the world from various points of view tend to be more liberal than conservative. I have one life. I am a certain age. I'm married to one person. I have a certain number of children. I won't have another life other than that, but I do have many lives through the films. It's a way for me to understand what it's like to be a murderer, to confess, to be a beaten wife, to be a minority, to be a victor, to get the girl, to lose the girl. I can do all of that through the practice of an art form.
I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or art even, if you say that, of the 20th Century. It's been film. It's the 20th Century's real art form.
Making a film is a way for me to understand what it's like to be a murderer, to confess, to be a beaten wife, to be a minority, to be a victor, to get the girl, to lose the girl. I can do all of that through the practice of an art form.
I didn't grow up thinking of movies as film, or art, but as movies, something to do on a Saturday afternoon.
I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almost every art form that is useful and that merges into film in some way.
Every single art form is involved in film, in a way.
From my point of view I work just as hard, I care just as much, if the films fail it doesn't make me suddenly disown them, it just doesn't.
On the one hand, the businessman in me understands it. But the lover of movies in me wants desperately to hang on to the movie house as a collective experience with the audience.
I'm hands-on in areas where I can make a difference. There's no sense in me standing on set; the director doesn't need me there.
The director is the teller of the film, the director tells the movie, like you would tell a story, except in this case you're telling a movie.