Swami Vivekananda

Swami Vivekananda
Swami VivekanandaBengali: , Shāmi Bibekānondo; 12 January 1863 – 4 July 1902), born Narendranath Datta, was an Indian Hindu monk, a chief disciple of the 19th-century Indian mystic Ramakrishna. He was a key figure in the introduction of the Indian philosophies of Vedanta and Yoga to the Western world and is credited with raising interfaith awareness, bringing Hinduism to the status of a major world religion during the late 19th century. He was a major force in the revival of Hinduism in...
NationalityIndian
ProfessionClergyman
Date of Birth12 January 1863
CountryIndia
There is but one soul throughout the universe, all is but one existence - "Thou art in the woman, thou in the man, thou in the young man walking in the pride of youth, thou in the old man tottering on his stick - thou art All - in all, in everything, and I am thee, because I am made from thee."
Some imaginations help to break the bondage of the rest. The whole universe is imagination, but one set of imaginations will cure another set. Those that tell us that there is sin and sorrow and death in the world are terrible. But the other set - thou art holy, there is God, there is no pain - these are good, and help to break the bondage of the others. The highest imagination that can break all the links of the chain is that of the Personal God.
As thou thinkest, so art thou.
The difference between architecture and building is that the former expresses an idea, while the latter is merely a structure built on economical principles. The value of matter depends solely on its capacities of expressing ideas.
Give up all self, all egotisms get out of anger, lust, give all to God. "I am not, but Thou art; the old man is all gone, only Thou remainest." "I am Thou." Blame none; if evil comes, know the Lord is playing with you and be exceeding glad.
Art is - representing the beautiful. There must be Art in everything.
Advance like a hero. Do not be thwarted by anything. How many days will this body last, with its happiness and misery? When you have the human body, then rouse the Atman within and say-I have reached the state of fearlessness!...and then as long as the body endures, speak unto others this message of fearlessness: 'Thao art That', 'Arise, awake, and stop not till the goal is reached'
Say - i am the Atman in which my lower ego has become merged for ever. Be perfect in this idea; and then as long as the body endures, speak unto others this message of fearlessness: "Thou art That", "Arise, awake, and stop not till the goal is reached!"
How long do you remember that it is the Lord who is making you work? But then, by repeatedly analysing like that, you will come to a state when the ego will vanish and in its place the Lord will come in. Then you will be able to say with justice "Thou, Lord, art guarding all my actions from within." But, my friend, if the ego occupies all the space within your heart, where forsooth will there be room enough for the Lord to come in? The Lord is verily absent!
Stick to God! Who cares what comes to the body or to anything else! Through the terrors of evil, say-my God, my love! Through the pangs of death, say-my God, my love! Through all the evils under the sun, say-my God, my love! Thou art here, I see Thee. Thou art with me, I feel Thee. I am Thine, take me. I am not of the world's but Thine, leave not then me.
The secret of Greek Art is its imitation of nature even to the minutest details; whereas the secret of Indian Art is to represent the ideal. The energy of the Greek painter is spent in perhaps painting a piece of flesh, and he is so successful that a dog is deluded into taking it to be a real bit of meat and so goes to bite it. Now, what glory is there in merely imitating nature? Why not place an actual bit of flesh before the dog?
The sculptor, the painter the musician the dancer, or any artist, if he can first obtain celebrate in Paris, acquires very easily the esteem and eulogy of other countries.
Science, art, learning and metaphysical research all have their proper functions in life, but if you seek to blend them, you destroy their individual characteristics until, in time, you eliminate the spiritual, for instance, from the religious altogether.
Is there no room for art in the spoken language? What is the use of creating an unnatural language to the exclusion of the natural one?