Suzanne Collins
Suzanne Collins
Suzanne Marie Collinsis an American television writer and novelist, best known as the author of The New York Times best selling series The Underland Chronicles and The Hunger Games trilogy...
NationalityAmerican
ProfessionNovelist
Date of Birth11 August 1962
CountryUnited States of America
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Finally, Peeta turns to Pollux. "Well, then you just became our most valuable asset." Castor laughs and Pollux manages a smile. We're halfway down the first tunnel when I realize what was so remarkable about that exchange. Peeta sounded like his old self, the one who could always think of the right thing to say when nobody else could... I glance back at him as he trudges along under his guards, Gale and Jackson, his eyes fixed on the ground, his shoulders hunched forward. So dispirited. But for a moment, he was really here.
self voice white
No one really needs me," he says, and there is no self-pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do," I say. "I need you.
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Because I'm selfish. I'm a coward. I'm the kind of girl who, when she might actually be of use, would run to stay alive and leave those who couldn't follow to suffer and die.
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The berries. I realize the answer to who I am lies in that handful of poisonous fruit. If I held them out to save Peeta because I knew I would be shunned if I came back without him, then I am despicable. If I held them out because I loved him, I am still self-centered, although forgivable. But if I held them out to defy the capitol, I am someone of worth. The trouble is, I don't know exactly what was going on inside me at that moment.
self people catching-fire
I don't like self-righteous people," I say. "What's to like?" says Haymitch, who begins sucking the dregs out of the empty bottles.
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I loved 'A Tree Grows in Brooklyn.' I read it later as an adult, but I loved 'We Have Always Lived in a Castle.' And that brings you around to 'The Lottery.' You can't pretend - it's a lottery in which you draw a name and people die. That's a short story, but it's such an incredible short story.
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I have a pretty big TV background, and I have clocked so many hours in so many writers' rooms over the years.
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My father was career military. He was a veteran, he was a doctor of political science, he taught at West Point and Air Command Staff and lectured at the War College.
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Both the 'Gregor' series and 'The Hunger Games' are what I call lightning-bolt ideas. There was a moment where the idea came to me. With 'The Hunger Games,' the lightning bolt sort of hit at a moment when I was channel surfing between reality TV and the coverage of the Iraq war.
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'Lord of the Flies' is one of my favorite books. That was a big influence on me as a teenager; I still read it every couple of years.
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In 'The Hunger Games,' in most people's idea, in terms of rebellion or a civil-war situation, that would meet the criteria for a necessary war. These people are oppressed, their children are being taken off and put in gladiator games. They're impoverished, they're starving, they're brutalized.
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Katniss Everdeen owes her last name to Bathsheba Everdene, the lead character in 'Far From the Madding Crowd.' The two are very different, but both struggle with knowing their hearts.
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I started as a playwright. Any sort of scriptwriting you do helps you hone your story. You have the same demands of creating a plot, developing relatable characters and keeping your audience invested in your story. My books are basically structured like three-act plays.
battles dad distilled necessary taking took war
If I took the 40 years of my dad talking to me about war and battles and taking me to battlefields and distilled it down into one question, it would probably be the idea of the necessary or unnecessary war.