Suzanne Collins
Suzanne Collins
Suzanne Marie Collinsis an American television writer and novelist, best known as the author of The New York Times best selling series The Underland Chronicles and The Hunger Games trilogy...
NationalityAmerican
ProfessionNovelist
Date of Birth11 August 1962
CountryUnited States of America
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No one really needs me,” he says, and there's no self-pity in his voice...“I do,” I say. “I need you.” He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
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And there I am, blushing and confused, made beautiful by Cinna’s hands, desirable by Peeta’s confession, tragic by circumstance, and by all accounts, unforgettable.
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Katniss?" He drops my hand and I take a step, as if to catch my balance. "It was all for the Games," Peeta says. "How you acted." "Not all of it," I say, tightly holding onto my flowers. "Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says. "I don't know. The closer we get to District Twelve, the more confused I get," I say. He waits, for further explanation, but none's forthcoming. "Well, let me know when you work it out," he says, and the pain in his voice is palpable.
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I sort of half read Thomas Hardy's 'The Mayor of Casterbridge.' It was assigned in 10th grade, and I just couldn't get into it. About seven years later, I rediscovered Hardy and consumed four of his novels in a row.
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My father was career military. He was a veteran, he was a doctor of political science, he taught at West Point and Air Command Staff and lectured at the War College.
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I loved 'A Tree Grows in Brooklyn.' I read it later as an adult, but I loved 'We Have Always Lived in a Castle.' And that brings you around to 'The Lottery.' You can't pretend - it's a lottery in which you draw a name and people die. That's a short story, but it's such an incredible short story.
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I have a pretty big TV background, and I have clocked so many hours in so many writers' rooms over the years.
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I've just had the opportunity to see the finished film of 'The Hunger Games.' I'm really happy with how it turned out. I feel like the book and the film are individual yet complementary pieces that enhance one another.
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I try to catch flies in cups and put them outside. After I wrote 'The Underland Chronicles'... well, once you start naming cockroaches, you lose your edge.
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Both the 'Gregor' series and 'The Hunger Games' are what I call lightning-bolt ideas. There was a moment where the idea came to me. With 'The Hunger Games,' the lightning bolt sort of hit at a moment when I was channel surfing between reality TV and the coverage of the Iraq war.
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'Lord of the Flies' is one of my favorite books. That was a big influence on me as a teenager; I still read it every couple of years.
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In 'The Hunger Games,' in most people's idea, in terms of rebellion or a civil-war situation, that would meet the criteria for a necessary war. These people are oppressed, their children are being taken off and put in gladiator games. They're impoverished, they're starving, they're brutalized.
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Katniss Everdeen owes her last name to Bathsheba Everdene, the lead character in 'Far From the Madding Crowd.' The two are very different, but both struggle with knowing their hearts.
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I started as a playwright. Any sort of scriptwriting you do helps you hone your story. You have the same demands of creating a plot, developing relatable characters and keeping your audience invested in your story. My books are basically structured like three-act plays.