Susanne Bier
Susanne Bier
Susanne Bieris a Danish film director best known for her feature films Brothers, After the Wedding and the Academy Award-winning In a Better World...
NationalityDanish
ProfessionDirector
Date of Birth15 April 1960
CountryDenmark
learned
I did learn a lot from 'Things We Lost in the Fire,' but I've learned different things from different films.
bad believe good
We always want to find good and bad guys, and I don't believe in that.
experience inside watch watching
When I watch a movie myself, I want to forget that I'm watching a movie, and I want to be inside the movie. That's the kind of experience I want my audience to have.
change half hour morning prior rehearse spend
I don't do a lot of rehearsal. I don't like rehearsals. I rehearse the day or morning. I spend one hour and a half with all the actors, and we go over the scenes, and we change it and change the dialogue, and we do a lot of things to it, but prior to shooting, I don't really rehearse.
basically human interested men whether women
I would say I'm basically interested in human beings, and I don't really care whether they're men or women. I think my comprehension is about the same for both.
cannot guess pretend strongly third
I guess I strongly feel that we cannot pretend that the Third World is not part of our world. We cannot say 'OK, there's that problem over there, let's just close our eyes' - we cannot do that.
compassion fan films huge richard wonderful
I'm a huge fan of Richard Curtis - there's real grief, real compassion in his films as well as cheekiness; it's a wonderful cocktail.
brethren followed saying slight
I have a slight controversy with the Dogme brethren because I've been saying that rules are to be interpreted; not that I haven't followed the rules, because I don't see the point of submitting yourself to a set of rules if you don't follow them. But having said that, it is always a lot of interpretation.
easier favorite life movies people
My favorite hobby is matchmaking. It's a lot easier to do it in movies then in real life because in real life, people don't do what I tell them to do.
certain respect sort
I think possibly, as an artist, you're always treated with a certain respect but also with a certain sort of nervousness.
certain films quite tone
I think most of my films all have a certain tone or intensity in them. They are tense, and you kind of anticipate some kind of catastrophe, but you're not quite sure.
extremely family importance jewish movies urgency
I think that being Jewish has generated an extremely strong sense of the importance of family. If I look at my Scandinavian colleagues, they don't have that urgency about family. All my movies are about that.
human
I think it's extremely difficult consistently being a decent human being.
future jewish lack
I think the lack of automatically feeling, 'Yes, the future is going to be like the present' - that is very much a Jewish thing.