Susan Sontag
Susan Sontag
Susan Sontagwas an American writer, filmmaker, teacher and political activist. She published her first major work, the essay "Notes on 'Camp'", in 1964. Her best-known works include On Photography, Against Interpretation, Styles of Radical Will, The Way We Live Now, Illness as Metaphor, Regarding the Pain of Others, The Volcano Lover and In America...
NationalityAmerican
ProfessionAuthor
Date of Birth16 January 1933
CountryUnited States of America
art giving purpose
The purpose of art is always, ultimately, to give pleasure - though our sensibilities may take time to catch up with the forms of pleasure that art in a given time may offer.
giving world photograph
Finally, the most grandiose result of the photographic enterprise is to give us the sense that we can hold the whole world in our heads – as an anthology of images. To collect photographs is to collect the world
hurt knowing giving
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
giving mad people
Mad people = People who stand alone and burn. I'm attracted to them because they give me permission to do the same.
pain giving perfect
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
emotional giving understanding
Despite the illusion of giving understanding, what seeing through photographs really invites is an acquisitive relation to the world that nourishes aesthetic awareness and promotes emotional detachment.
writing giving way
Writing is finally a series of permissions you give yourself to be expressive in certain ways. To leap. To fly. To fail.
country giving-up past
Everyone who lives in an industrialized society is obliged gradually to give up the past, but in certain countries, such as the United States and Japan, the break with the past has been particularly traumatic.
clean compromise contradict cowardice embody ethics function gnawing heart intolerant invite moral neither nor principles professed secret society standard tells thinking turning utopian
The standard that a society should actually embody its own professed principles is a utopian one, in the sense that moral principles contradict the way things really are --- and always will be. How things really are --- and always will be --- is neither all-evil nor all-good but deficient, inconsistent, inferior. Principles invite us to do something about the morass of contradictions in which we function morally. Principles invite us to clean up our act; to become intolerant of moral laxity and compromise and cowardice and the turning away from what is upsetting: that secret gnawing of the heart that tells us that what we are doing is not right, and so counsels us that we'd be better off just not thinking about it.
bed blown constantly elsewhere extension fate hungry novelists perennial perhaps pieces reminded returned sheer surprised time unlikely visited
Perhaps it is our perennial fate to be surprised by the simultaneity of events, by the sheer extension of the world in time and space. That we are here, prosperous, safe, unlikely to go to bed hungry or be blown to pieces this evening, while elsewhere in the world, right now in Grozny, in Najaf, in the Sudan, in the Congo, in Gaza, in the favelas of Rio....To be a travelerand novelists are often travelersis to be constantly reminded of the simultaneity of what is going on in the world, your world and the very different world you have visited and from which you have returned home.
affect beat both clock dropping losing mode nod redundant safer seemed somewhere specific time
Somewhere in the nod we were dropping cargo. Somewhere in the nod we were losing infrastructure, losing redundant systems, losing specific gravity. Weightlessness seemed at the time the safer mode. Weightlessness seemed at the time the mode in which we could beat both the clock and affect itself, but I see now that it was not.
cope equally large people popular seemingly served threat twin
We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.
book course good high involved known largely money movies reason simple whether
Of course the movies are going to be the more visible, more high profile, for the simple reason that a lot more money is involved and this is a largely money-oriented society. ... Nevertheless, this is a very good book town, whether it's known to be that or not, and that's why you have something like this.
fantastic follow knowing priorities trying
It's fantastic knowing you're going to die; it really makes having priorities and trying to follow them very real to you.